인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
개인구독
소속 기관이 없으신 경우, 개인 정기구독을 하시면 저렴하게
논문을 무제한 열람 이용할 수 있어요.
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
피인용 0
초록·키워드
This paper examined the Chinese poems and chu nom poems of Mak Cheonsa(Mac Thien tu) in relation to the literary activities of the Choyeonggak Poetry Society(Chieu Anh Cac). Poems like Mak Cheonsa's "Haseonsibyeong"(Ha Tien Thap Vinh) and "Nogyehanjo"(Lu Khe Nhan Dieu) faithfully follow the formal requisites of medieval East Asian poetry. He gave literary form to natural scenery and lent his works an elegant and graceful aesthetic. This aspect of Mak Cheonsa's Chinese poetry shows that it is rooted in the formal and aesthetic model of East Asian Chinese poetry.
Mak Cheonsa gathered together the authors who could write Chinese poetry, organized a poetry society, and led the way in writing such poetry, forming a literary style, thus helped the Choyeonggak Poetry Society take the cultural initiative in the region. Thanks to their efforts, the land of Haseon joined the realm of East Asian Chinese literature and also became the representative nature of which the poets of Vietnam sung. In addition, poems like "Nogyehanjobu" carry on the tradition of fishing songs, and they contain the exalted inspiration of the unity of nature and humanity as well as the melancholy of a wandering people, giving the works breadth in terms of emotional change. These are unique characteristics of Mak Cheonsa's poetry.
Chu nom poetry focused more often on the common people living in the nature than on the natural scenery itself. This means that they went one step further toward expressing in literature not only the frontier natural scenery, but also to the lives of the people of the frontier. "Haseongugeumsibyeong"(Ha Tien quoc am thap canh) and "Haseongugeumsibyeongeumgok"(Ha Tien quoc am thap canh ngam khuc) can be judged to reflect the point of view of government officials. The poems also differ from Chinese poetry in that they rely more on plain speech than allusions. Sometimes they were written to instruct people, and at other times they spoke of the government officials' to resolve to bring back the peace of the Yao and Shun eras by enlightening the people. As the upper class government officials captured the lives of the people in chu nom poetry, chu nom poetry played the role of creating an understanding between the upper and lower class.
The linguistic reality of the southwestern border region of Vietnam is reflected in chu nom poetry. Common written language expressions, Vietnamese expressions used in both north and south, and unique dialectical expressions used only in the southwestern frontier region are all mixed together in one work. In this regard, the works of Mak Cheonsa are significant in that they enriched chu nom poetry expressions as the form spread to the southern regions. Furthermore, chu nom works contributed to unifying the upper and lower classes as literature of newly settled areas that contained elements of medieval East Asia, Vietnam, and the local region.
The 18th century, when Mak Cheonsa lived, was a time when southern Vietnam was being actively pioneered. What role did the literature of this period play? One thing for certain is that the literature of this period fulfilled its role as the literature of newly settled areas. The most important activity for unifying the culture of newly settled areas was to capture the nature and lives of the people who lived in those areas. Literature captured and connected the medieval aesthetic sense of that nature and those residents. Mak Cheonsa was one of the key figures who led the way in doing this.
Mak Cheonsa gathered together the authors who could write Chinese poetry, organized a poetry society, and led the way in writing such poetry, forming a literary style, thus helped the Choyeonggak Poetry Society take the cultural initiative in the region. Thanks to their efforts, the land of Haseon joined the realm of East Asian Chinese literature and also became the representative nature of which the poets of Vietnam sung. In addition, poems like "Nogyehanjobu" carry on the tradition of fishing songs, and they contain the exalted inspiration of the unity of nature and humanity as well as the melancholy of a wandering people, giving the works breadth in terms of emotional change. These are unique characteristics of Mak Cheonsa's poetry.
Chu nom poetry focused more often on the common people living in the nature than on the natural scenery itself. This means that they went one step further toward expressing in literature not only the frontier natural scenery, but also to the lives of the people of the frontier. "Haseongugeumsibyeong"(Ha Tien quoc am thap canh) and "Haseongugeumsibyeongeumgok"(Ha Tien quoc am thap canh ngam khuc) can be judged to reflect the point of view of government officials. The poems also differ from Chinese poetry in that they rely more on plain speech than allusions. Sometimes they were written to instruct people, and at other times they spoke of the government officials' to resolve to bring back the peace of the Yao and Shun eras by enlightening the people. As the upper class government officials captured the lives of the people in chu nom poetry, chu nom poetry played the role of creating an understanding between the upper and lower class.
The linguistic reality of the southwestern border region of Vietnam is reflected in chu nom poetry. Common written language expressions, Vietnamese expressions used in both north and south, and unique dialectical expressions used only in the southwestern frontier region are all mixed together in one work. In this regard, the works of Mak Cheonsa are significant in that they enriched chu nom poetry expressions as the form spread to the southern regions. Furthermore, chu nom works contributed to unifying the upper and lower classes as literature of newly settled areas that contained elements of medieval East Asia, Vietnam, and the local region.
The 18th century, when Mak Cheonsa lived, was a time when southern Vietnam was being actively pioneered. What role did the literature of this period play? One thing for certain is that the literature of this period fulfilled its role as the literature of newly settled areas. The most important activity for unifying the culture of newly settled areas was to capture the nature and lives of the people who lived in those areas. Literature captured and connected the medieval aesthetic sense of that nature and those residents. Mak Cheonsa was one of the key figures who led the way in doing this.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
최근 본 자료 전체보기
UCI(KEPA) : I410-ECN-0101-2012-705-003610114
