지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2011.6
- 수록면
- 51 - 79 (29page)
- DOI
- 10.14431/aw.2011.06.27.2.51
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초록· 키워드
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The Tale of Ch’unhyang is perhaps Korea’s most well known and oft repeated folk story. Originating in the middle of the Chos?n dynasty, it has persisted in various forms for nearly four hundred years in part because it is replete with moral lessons, including notions of filial devotion, obedience, and faithfulness; but none is as enduring and fundamental to the plot as the concept of womanly virtue. This paper will provide a feminist reading of the story to articulate the mandates of Chos?n Confucian society on women. We argue that the Tale of Ch’unhyang reveals that the price of fulfilling the Confucian ideal of womanhood lies in the sublimation of female self and in the loss of individuality. Taking a historical approach, the paper contextualizes the Confucian ideals of female virtue, discusses performative acts of gender, and analyzes the ways in which the traditional narrative art of p’ansori continually rearticulates historical norms of those ideals. It concludes with an extended feminist reading of particular p’ansori versions of the tale.
목차
Abstract
Confucianism and the Construction of Female Virtue
The Performance of Gender and Confucian Virtue
The Tale of Ch’unhyang as Told through P’ansori
Private and Public Identities: the Marriage of Ch’unhyang and Yi Mongryong and Conflicting Social Realities
Ch’unhyang’s Private Identity as her Defense of Virtue
Ch’unhyang’s Sublimation of Self as a Consequence of Perfecting Virtue
Conclusion
Appendix A. The Tale of Ch’unhyang
References
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UCI(KEPA) : I410-ECN-0101-2013-337-000542353