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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Unlike other Marxist critics, Fredric Jameson has set forth the criticism which approves the postmodernism positively as dialectical method toward totality. Moreover he maintains that his own criticism is the logical result of his previous work. Like postmodernists’ claims, Jameson asserts that we can reach the ‘History’, or ‘the Real’ only through ‘histories’. From 1980’s on, he has dived into the dispute over postmodernism. He diagnoses the postmodernism as the cultural logic of late capitalism and as the concept of a period, not a style. The postmodernism is characterized by forgetfulness of History. So he uses the idea of ‘political unconscious’ groping for Historicity or totality in the postmodern culture. For him, the film among mass media is the most proper text which we can find out the political unconscious of mass media of late capitalism.
In his book The Political Unconscious, Jameson groped for totality in the postmodern culture using the idea of “cognitive mapping.” As he used the concept “thought to the second power” in Marxism and Form, he asserted the slogan “Always historicize!” for the marxist dialectical method in The Political Unconscious. After then, he has extended his discourse to the third world cinema. In Geopolitical Aesthetic, he uses the idea of “national allegory” to assert that the essence of the late capitalism has been characterized in cinema and space of third world. Because “die Gleichzeitigkeit des ungleichzeitigen” is apparent in third world cinema. In short, according to Fredric Jameson, the postmodernism is the cultural logic of the late capitalism which is more modern than the modern times. And it is this episteme that Fredric Jameson attains over the period of late capitalism.
In his book The Political Unconscious, Jameson groped for totality in the postmodern culture using the idea of “cognitive mapping.” As he used the concept “thought to the second power” in Marxism and Form, he asserted the slogan “Always historicize!” for the marxist dialectical method in The Political Unconscious. After then, he has extended his discourse to the third world cinema. In Geopolitical Aesthetic, he uses the idea of “national allegory” to assert that the essence of the late capitalism has been characterized in cinema and space of third world. Because “die Gleichzeitigkeit des ungleichzeitigen” is apparent in third world cinema. In short, according to Fredric Jameson, the postmodernism is the cultural logic of the late capitalism which is more modern than the modern times. And it is this episteme that Fredric Jameson attains over the period of late capitalism.
목차
머리말
Ⅰ. 포스트모더니즘, 후기 자본주의의 문화 논리
Ⅱ. 정치적 무의식-항상 역사화하라
Ⅲ. 영화 텍스트, 지정학적으로 읽기
맺음말
【Abstract】
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