지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Oh Young-Jin is well known for writer who had national awareness or used traditional materials, because his family was linked with independence movements during the Japanese colonial period and he took an interest in national problems after independence. However, this way, which we have just explained him as, has an important problem, for his a work, Maeng Jinsa Family's’ Festivities has rewritten as a play and has played continually from the Japanese colonial period to the present. Therefore, we have to find another way to valuate him and his works. According to his reviews of films, he knew artistry and popularity of films, so he placed value in 'life' of audiences to realize two values in films. Consequently, materials of Maeng Jinsa Family's Festivities are not connected with nation or tradition. They are just people's 'life' at that time. But he could not realize his idea of films, because premodern concept inhered in the traditional wedding, a main material of Maeng Jinsa Family's Festivities. Furthermore, a film had a problem as a genre too. A film has only to depend on capital, so a film activity was influenced by the Japanese colonial power at that time. As a result, Oh Young-Jin understanded Korean people's 'life' and characteristics of films and wanted to make a film for Korean people at that time, but his work and film activity had limitations.
목차
1. 들어가며
2. 예술성과 오락성의 전제. ‘생활’
3. <孟進士邸の慶事>에 나타난 조선적 ‘생활’과 가치
4. 영화를 통한 탈식민 운동의 의미와 한계
5. 나오며
참고문헌
Abstract
참고문헌 (3)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
국민문학 시대, 오영진 작품의 민족주의적 정체성 : <배뱅이굿>과 <맹진사댁 경사>를 중심으로
박명진
,
민선희
우리문학연구
2017
.01
오영진과 반공ㆍ아시아ㆍ미국 : 이승만 전기극 〈청년〉ㆍ〈풍운〉을 중심으로
김옥란
동악어문학
2012
.08
한국의 동아시아론과 정체성의 문제
정남희
,
노상래
동아인문학
2014
.12
이근삼 희곡에 나타난 공연성 연구 : 후기작품을 중심으로
이철우
비교민속학
2014
.08
『文化朝鮮』(前身 「觀光朝鮮」, 1939～1944), 식민지 경영과 잡지 미디어의 문화정치
문경연
근대서지
2013
.12
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-810-000748860