지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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It has been usually accepted in the Korean literary history that Seo, Jeong-joo’s early poems has the characteristic of showing ‘the longing for sensual life force and holiness of human body,’ ‘decadence’ and ‘eternity.’ This study, however, aims to make a microscopic approach to the roots of Seo’s poetic words, images and sensibility, viewing his existential experience and social conditions. The basic intention of the study was to get out of the existing metaphysical and hermenutic approach to Seo’s poetry.
To light up the mentalit immanent in the main symbol of 〈Self portrait〉, the son of a Mammy with black nails, the study, at first, kept an eye on the key poetic word, ‘nail.’ Through the study, it was discovered that the ideal modern beauty represented by clean and limpid nails was symmetric with the low and inferior self consciousness represented by black nails.
Seo once felt in love with a city woman with clean nails and experienced the loss of love. After that, he embodied his feeling of isolation in the poem, 〈A leper〉. In those days, peple with leprocy were regarded as antisocial or abnormal beings and quarantined under the government control. Identifying himself with a repulsive leper or a Hwa Sa(a colorful snake with a flower design on it), Seo attempted an escape from the modern life structure based on civilization and culture. The dynamic power derived from the escape accelerated him to write poems.
This study also paid attention to his nickname ‘Goong Bal(the nothern polar region without any plants) which can be seen on the book cover of the 〈Collection of Hwa Sa〉. His strong will to grow a life on the sterile land drived him to open a new poetic world. That’s why the tone of redness and flower images so often appear in Seo’s poems.
Along with his marriage, he came to find new meanings of family and ordinary life, and the motive power of his escape gradually went down.
To light up the mentalit immanent in the main symbol of 〈Self portrait〉, the son of a Mammy with black nails, the study, at first, kept an eye on the key poetic word, ‘nail.’ Through the study, it was discovered that the ideal modern beauty represented by clean and limpid nails was symmetric with the low and inferior self consciousness represented by black nails.
Seo once felt in love with a city woman with clean nails and experienced the loss of love. After that, he embodied his feeling of isolation in the poem, 〈A leper〉. In those days, peple with leprocy were regarded as antisocial or abnormal beings and quarantined under the government control. Identifying himself with a repulsive leper or a Hwa Sa(a colorful snake with a flower design on it), Seo attempted an escape from the modern life structure based on civilization and culture. The dynamic power derived from the escape accelerated him to write poems.
This study also paid attention to his nickname ‘Goong Bal(the nothern polar region without any plants) which can be seen on the book cover of the 〈Collection of Hwa Sa〉. His strong will to grow a life on the sterile land drived him to open a new poetic world. That’s why the tone of redness and flower images so often appear in Seo’s poems.
Along with his marriage, he came to find new meanings of family and ordinary life, and the motive power of his escape gradually went down.
목차
Ⅰ. 머리말
Ⅱ. 매혹된 문명의 표상 : 깨끗한 분홍 손톱
Ⅲ. 양가적 자의식의 표상 : 손톱이 까만 에미의 아들
Ⅳ. 질투와 초월의지의 형상 : ‘문둥이’와 ‘화사’
Ⅴ. 일탈된 신체의 심성 구조 : ‘징그러움’과 ‘지랄’
Ⅵ. 맺음말?‘궁발거사’의 『화사집』
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2013-811-001385873