지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Looking at the film history and film technology, film formula and content were changed effectively every time when film technology was developed. The change of Film technology receive credit for what it fits with story and genre.
despite expensive ticket price, 3D film gathers its audience more and more, and its industry become a momentum in film industry all over the world.
With this point of view, The fact was founded that The encounter of film and literacture caused by sound film. and fantasy film got popularity because of the Digital cinema which took its materials from fantasy novel and comic books. In the 3D film, Immersion is very important element. there are sensual immersion and on-screen immersion in 3D film. that situation is very similar with game in attitude of immersion.
This study gives some types of storytelling which are suitable for 3D films. first, fantasy story which give us fantasitic reality. second, The use of genre convention which makes easy to understand storyline. third, the strategy of identification which concreate the immersions. last, adaptation of traditional narrative which did not 3D- filmed yet.
despite expensive ticket price, 3D film gathers its audience more and more, and its industry become a momentum in film industry all over the world.
With this point of view, The fact was founded that The encounter of film and literacture caused by sound film. and fantasy film got popularity because of the Digital cinema which took its materials from fantasy novel and comic books. In the 3D film, Immersion is very important element. there are sensual immersion and on-screen immersion in 3D film. that situation is very similar with game in attitude of immersion.
This study gives some types of storytelling which are suitable for 3D films. first, fantasy story which give us fantasitic reality. second, The use of genre convention which makes easy to understand storyline. third, the strategy of identification which concreate the immersions. last, adaptation of traditional narrative which did not 3D- filmed yet.
목차
1. 들어가며
2. 입체영화 현황
3. 기술의 변화가 가져온 영화 스토리텔링의 변화
4. 입체영화 환경에 최적화된 스토리텔링
5. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2013-600-001167636