지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This article is a close examination of the nature of Korean modern foundational narratives, with a focus on the web of social connections between the characters. Tuman River and Arirang, as foundational narratives of the modern Korean nation, deal with the formation process of the modern Korean nation, which is represented as an articulated chain between the collapse of the old social structure of the peasantry and the beginning of a new social structure. Although the postcolonial masses of Korea are alienated from economic and cultural capital with in a colonial structure, they attempt postcolonial resistance through their social capital, namely webs of social
connections.
In both these literary works the direction the peasantry is headed is tied to the nature of postcoloniality that is the main theme of the work. In Tuman River, the peasants possess the grassroots power of the subaltern, In time gaining the solidarity of other groups, and in this phase of history a transformed and definitive unified social group emerges. The peasants, and the social forces in solidarity with them, dream of “the race”(minjok) becoming the equal of “the nation”(kuk’ga), with the two converging in a socialist system.
In contrast, in Arirang the nature of the peasants engaged in rice farming is that of a race(minjok) who have been shaped through their overcoming of colonial conditions in the process of dispersal and resettlement. The world the characters are ultimately heading for is a postcolonial world, which is represented as an imagined community with “the race”(minjok) as its foundation. In this literary work “the race” is more important than “the nation,” with the characters heading in the direction of a society that has dismantled its core of oppressive power.
connections.
In both these literary works the direction the peasantry is headed is tied to the nature of postcoloniality that is the main theme of the work. In Tuman River, the peasants possess the grassroots power of the subaltern, In time gaining the solidarity of other groups, and in this phase of history a transformed and definitive unified social group emerges. The peasants, and the social forces in solidarity with them, dream of “the race”(minjok) becoming the equal of “the nation”(kuk’ga), with the two converging in a socialist system.
In contrast, in Arirang the nature of the peasants engaged in rice farming is that of a race(minjok) who have been shaped through their overcoming of colonial conditions in the process of dispersal and resettlement. The world the characters are ultimately heading for is a postcolonial world, which is represented as an imagined community with “the race”(minjok) as its foundation. In this literary work “the race” is more important than “the nation,” with the characters heading in the direction of a society that has dismantled its core of oppressive power.
목차
1. 한국 근대 건국서사와 농민
2. 『두만강』의 사회연결망과 국가
3. 『아리랑』의 사회연결망과 민족
4. 농민의 삶과 민족/국가 표상
5. 탈식민의 두 가지 방식 : 중앙적 위계와 흩뿌려진 토포스
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UCI(KEPA) : I410-ECN-0101-2013-810-001203997