지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Kim Ch’un-su’s 51 songs of lamentation show that he continues to pursue meaninglessness still although he realized impossibility of meaningless poems. He confesses freedom and uneasiness of poems that move to a play of words of signifier without signified, along with his perception on the impossibility of meaningless poems which meaning of human is completely evaporated.
The reality that we encounter as an esthetic existence at the extreme end of a play of words which erases the meaning of historical and ethical life is nought. Nought is the reality that collect the body of all existence when not only humans but also all the living beings return to eternal existence without life after finishing physical life as a being who contain limited life. In addition, nought conceives life of all existence. In this sense, nought is a reality that circulates death and birth of all beings. Nought is expressed as sky and sea as an absence of existence for Kim Ch’un-su. However, Kim Ch’un-su does not give physical and moral life right away as a being who contain limited life although he is attracted by nought. The tragic characteristic of his poems is not only the linguistic crisis that does not agree with existence but it is resulted from the existential basis of the poet who conflict between more fundamentally pursuing meaning as a moral existence and pursuing nought as an esthetic existence. Literal meaning of 51 songs of lamentation embedding tragic character of Kim Ch’un-su’s poems is that he does not give up moral and historical meaning of humans and at the same time he shows physical limitation and existential tragedy as a poet who pursue nought itself which does not have human meaning at all as an esthetic existence until the end, which suggests poetic attitudes that modern poets in Korea should have.
The reality that we encounter as an esthetic existence at the extreme end of a play of words which erases the meaning of historical and ethical life is nought. Nought is the reality that collect the body of all existence when not only humans but also all the living beings return to eternal existence without life after finishing physical life as a being who contain limited life. In addition, nought conceives life of all existence. In this sense, nought is a reality that circulates death and birth of all beings. Nought is expressed as sky and sea as an absence of existence for Kim Ch’un-su. However, Kim Ch’un-su does not give physical and moral life right away as a being who contain limited life although he is attracted by nought. The tragic characteristic of his poems is not only the linguistic crisis that does not agree with existence but it is resulted from the existential basis of the poet who conflict between more fundamentally pursuing meaning as a moral existence and pursuing nought as an esthetic existence. Literal meaning of 51 songs of lamentation embedding tragic character of Kim Ch’un-su’s poems is that he does not give up moral and historical meaning of humans and at the same time he shows physical limitation and existential tragedy as a poet who pursue nought itself which does not have human meaning at all as an esthetic existence until the end, which suggests poetic attitudes that modern poets in Korea should have.
목차
Ⅰ. 서론
Ⅱ. 언어의 위기와 존재의 비극성
Ⅲ. 부재하는 현존: 하늘과 바다
Ⅳ. 결론
참고문헌
Abstract
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