인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
개인구독
소속 기관이 없으신 경우, 개인 정기구독을 하시면 저렴하게
논문을 무제한 열람 이용할 수 있어요.
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
DBpia Top 10%동일한 주제분류 기준으로최근 2년간 이용수 순으로 정렬했을 때
해당 논문이 위치하는 상위 비율을 의미합니다.
초록· 키워드
The exhibition as a sightseeing was a trend in Kyungseong (京城) during the 1930s. The exhibition culture visualized the understandings about society, and it was widely spread all over the world, and it was both modern and western in East Asia, includeing Chosun. Traditionally, scholars would gather together and appreciate poems or drawings. However, this form was altered in that many anonymous audiences could appreciate the exhibited works while wandering (as a ‘flaneur’ by the mean of Walter Benjamin), or by taking a glance at the works. It was an innovative form of cultural experience, and it generated a new class called “audience,” who remained anonymous.
The first big exhibition in Chosun was ‘Si-jeong O-nyun Ki-nyum Chosun Mul-san Gongjin- hoe (Competitive Products Exhibition Commemorating the Five Years of Japanese Reign, 施政 五年記念朝鮮物産共進會),’ in 1915. It exhibited not only artistic works, but also agricultural products and hand-made goods, and it introduced the new culture of exhibition to the people of Chosun. Although art was only one of the elements in the exhibition in 1915, it developed into the establishment of the Chosun-governor Office Museum and Chosun Art Exhibition, which constituted two pillars of the Chosun-governor office’s art policies.
The art exhibition of Seo-hwa Hyup-hoe (an association of painters and calligraphers), held from 1921 to 1936, was led by a civil group and made use of school auditoriums to display works to the public. The Chosun Art Exhibition, the public exhibition held by the Chosun-governor office from 1922 to 1944, used Sang-pum-jin-yeol-gwan (commodity gallery) at first, and then the library of the office, or its previous office building to display the works. The Chosun Art Exhibition had no its own exhibition space until 1939.
The auditoriums of newspaper companies, which were another place for exhibitions in the 1920s, were not solely used as exhibition halls, but also as composite spaces for various purposes. Since the 1930s, permanent exhibition halls began to appear, as the Mitsukoshi department store and Hwasin department store opened art galleries; the facilities were built thanks to the commercial distribution of art works. Another characteristic of the era is that cafes were used to exhibit art, although these displays were not permanent.
The Modern Japanese Art Exhibition at Seokjojeon, located in Deoksu palace, began since in 1933, and the new wing of Yi-wanga Museum was built in 1938. Finally, the Chosun-governor office Museum was built in 1939. These were the beginning of permanent, public exhibition centers, and the mass exhibition culture originated from the establishments of these buildings.
The first big exhibition in Chosun was ‘Si-jeong O-nyun Ki-nyum Chosun Mul-san Gongjin- hoe (Competitive Products Exhibition Commemorating the Five Years of Japanese Reign, 施政 五年記念朝鮮物産共進會),’ in 1915. It exhibited not only artistic works, but also agricultural products and hand-made goods, and it introduced the new culture of exhibition to the people of Chosun. Although art was only one of the elements in the exhibition in 1915, it developed into the establishment of the Chosun-governor Office Museum and Chosun Art Exhibition, which constituted two pillars of the Chosun-governor office’s art policies.
The art exhibition of Seo-hwa Hyup-hoe (an association of painters and calligraphers), held from 1921 to 1936, was led by a civil group and made use of school auditoriums to display works to the public. The Chosun Art Exhibition, the public exhibition held by the Chosun-governor office from 1922 to 1944, used Sang-pum-jin-yeol-gwan (commodity gallery) at first, and then the library of the office, or its previous office building to display the works. The Chosun Art Exhibition had no its own exhibition space until 1939.
The auditoriums of newspaper companies, which were another place for exhibitions in the 1920s, were not solely used as exhibition halls, but also as composite spaces for various purposes. Since the 1930s, permanent exhibition halls began to appear, as the Mitsukoshi department store and Hwasin department store opened art galleries; the facilities were built thanks to the commercial distribution of art works. Another characteristic of the era is that cafes were used to exhibit art, although these displays were not permanent.
The Modern Japanese Art Exhibition at Seokjojeon, located in Deoksu palace, began since in 1933, and the new wing of Yi-wanga Museum was built in 1938. Finally, the Chosun-governor office Museum was built in 1939. These were the beginning of permanent, public exhibition centers, and the mass exhibition culture originated from the establishments of these buildings.
#경성
#전시공간
#서화협회
#조선미술전람회
#경성일보 내청각
#동아일보사 강당
#미쓰코시 화랑
#화신 화랑
#낙랑 파라
#플라타느
#이왕가 미술관
#조선총독부 미술관
#Kyungseong
#exhibition space
#Seo-hwa-hyup-hoe(an association of painters and calligraphers)
#Chosun Art Exhibition
#Kyungseong Ilbo nae-cheong-kak
#Dong-A Ilbo Hall
#art gallery of Mitsukoshi department store
#art gallery of Hwasin department store
#cafe Nakrang Para
#cafe Platanne
#Art Museum in Deoksu palace
#Chosun-governor office Museum
상세정보 수정요청해당 페이지 내 제목·저자·목차·페이지정보가 잘못된 경우 알려주세요!
목차
- Ⅰ. 들어가는 말
- Ⅱ. 전시 문화의 성립과 미술 전시
- Ⅲ. 서화협회 전람회와 조선미술전람회의 전시공간
- Ⅳ. 전시장으로 쓰인 신문사 강당과 공공 공간
- Ⅴ. 백화점 화랑의 등장 : 미쓰코시 화랑과 화신 화랑
- Ⅵ. 상설 전시장의 성립 : 이왕가 미술관과 조선총독부 미술관
- Ⅶ. 나가는 말
- 참고문헌
- Abstract
참고문헌
참고문헌 신청최근 본 자료
UCI(KEPA) : I410-ECN-0101-2014-600-000668632
