지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
A male body was set on the basis of gender differences in the most of the patriarchal society and other characteristics of the female body were categorized. The men"s domination and discrimination over women were justified by this basis. Female artists have been trying to criticize and overcome the dichotomous logic of patriarchy which has made the body of women to be objectified and oppressed. In this process, some of women artists put women"s body and the workings of them that have been dismissed ugly and despised to the forefront. Also, they combine disgusting and cruel images here. These attempts are closely related to Julia Kristeva"s theory of abject. Diverse aspects of abject that mean something dirty, low and disgusting neither the subject nor the target which threat to clear identity, system and order standing in the border of the subject and the object are done the most active in the body-flesh, the mother-women area. The typical way of control and sublimation to the threat and ambiguity of abjec in the society is an art.
The works of art from Kiki Smith, Hannah Wilke and Ana Mendieta discussed in this paper have significance of feminism because their works have an implementation of a new female identity with the liberation and the subject from the targeted images of women those were reproduced in art. The combination of abject and women of flesh leads to the society of diversity coexisted to recover the value of women that has been considered to be humble and to criticize the problems of a patriarchal society. Also, if the ‘omatic symptom’of abject is sublimated artistically, new aesthetic categories are created by showing images and behaviors those do not conform to the symbolic order, stereotypes and social norms.
As a result, ‘omatic symptom’of abject appeared in the art of women leads dichotomous world to think as an open structure not closed. Also, that dismantles the imbalanced power of uniformity dividing gender, race, mind and body, human and nature, civilization and raw, high and low grade, normal and abnormal, beauty and ugliness oppositively and guides us the new world that pluralism coexisted.
The works of art from Kiki Smith, Hannah Wilke and Ana Mendieta discussed in this paper have significance of feminism because their works have an implementation of a new female identity with the liberation and the subject from the targeted images of women those were reproduced in art. The combination of abject and women of flesh leads to the society of diversity coexisted to recover the value of women that has been considered to be humble and to criticize the problems of a patriarchal society. Also, if the ‘omatic symptom’of abject is sublimated artistically, new aesthetic categories are created by showing images and behaviors those do not conform to the symbolic order, stereotypes and social norms.
As a result, ‘omatic symptom’of abject appeared in the art of women leads dichotomous world to think as an open structure not closed. Also, that dismantles the imbalanced power of uniformity dividing gender, race, mind and body, human and nature, civilization and raw, high and low grade, normal and abnormal, beauty and ugliness oppositively and guides us the new world that pluralism coexisted.
목차
Ⅰ. 서론
Ⅱ. 줄리아 크리스테바의 페미니즘
Ⅲ. 애브젝트와 애브젝션(abjection)
Ⅳ. 애브젝트의‘ 육체적 징후’와 표상(表象)
Ⅴ. 여성 미술에 나타난 애브젝트의‘ 육체적 징후’와 예술적 승화
Ⅵ. 결론
참고문헌
Abstract
참고문헌 (1)
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UCI(KEPA) : I410-ECN-0101-2014-609-000582167