메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
오인용 (동의대학교)
저널정보
새한영어영문학회 새한영어영문학 새한영어영문학 제55권 제1호
발행연도
2013.2
수록면
89 - 114 (26page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
This paper discusses the ideas of the three 18th-century philosophers on the premise that their ideas are essential to the understanding of Wordsworth’s growth as a poet. They are Francis Hutcheson, David Hume and Immanuel Kant. The former two British philosophers stress the public dimension of feeling by maintaining that all human beings are related by sympathy and sympathy is essential to the formation and development of human society. It is argued in the paper that Wordsworth’s poetic intention in The Lyrical Ballads, as is expressed in “The Preface”, implicitly draws on their empiricist ideas of habit and experience, creating the close relation of feeling and action in the examples of “low and rustic life.”
On the other hand, Kant’s philosophy in The Critique of Judgment seems to provide the poet with the perspectives of the subject’s transcendental freedom, with which the autonomous individuals are expected to conflate their inclination with duty. The poetic autobiography of The Prelude, discussing the “ministry of beauty and fear” upon his soul, epitomizes the birth of the modern autonomous subject equipped with such a mental competence. To conclude, Wordsworth’s aesthetic ideas, spanning the polar opposites of the empiricism and the transcendental idealism, adumbrate the structure of feeling in English Romanticism.

목차






인용문헌
Abstract

참고문헌 (23)

참고문헌 신청

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2014-840-000308220