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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.2
- 수록면
- 161 - 185 (25page)
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초록· 키워드
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This essay deals with the changing contour of Dickens’s imagination in his middle period spanning between The Old Curiosity Shop (1840) and Bleak House(1853), especially in relation to his treatment of the city. This period of intense creativity is defined by a distinct change in Dickens’s depiction of the city; how the scope of the city expands, consciously bearing the general frame of each novel. London is increasingly envisaged as the topographical axis of the narrative, consisting of an immense, and yet identifiable array of social, economic and cultural realities. The obscure depiction of the city as a hostile world in contrast to the peace of the countryside (Oliver Twist and The Old Curiosity Shop) is no longer sufficient enough, since the very fabric of the city evokes the complex workings of industrial inventions, money, and class distinctions that traverse any conceivable interactions of characters and events.
Equally intriguing is how such a challenging urban outlook is also accompanied by a distinct style of writing, one that becomes increasingly variegated and disjunctive in its use of images, metaphors, and analogies traversing objects, people, and milieus. The overall effect is that his narrative is to give the perceptual disorientation of urban experience, overwhelmed as it is by constant changes.
In dealing with mid-career novels Martin Chuzzlewit(1843-1844) and Dombey and Son (1846-1848), the essay will take account of his unique treatment of the city as the kernel of his artistic development in mid-career.
Equally intriguing is how such a challenging urban outlook is also accompanied by a distinct style of writing, one that becomes increasingly variegated and disjunctive in its use of images, metaphors, and analogies traversing objects, people, and milieus. The overall effect is that his narrative is to give the perceptual disorientation of urban experience, overwhelmed as it is by constant changes.
In dealing with mid-career novels Martin Chuzzlewit(1843-1844) and Dombey and Son (1846-1848), the essay will take account of his unique treatment of the city as the kernel of his artistic development in mid-career.
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