지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper studies the Korean thriller films examining the representation of motherhood in 2000s, dealing with the movies like 〈Sympathy for Lady Vengeance〉, 〈Princess Aurora〉, 〈Diary of June〉, 〈Seven Days〉, 〈Mother〉, 〈Midnight F. M〉, 〈My Neighbor〉, 〈Don’t Cry, Mommy〉 as the object of study.
In Korean film industry, the thriller films had been considered as the miner genre, but they have been emerging as the key genre in 2000s. Especially, what is seen as the remarkable is the women as the protagonist, who finally resolve the problems and replace the place of male-hero which had been forbidden for women.
Korean thriller films in 2000s are reflected people’s worry and fear about the social disability and instability. So their powerful action and violence “in the name of the mothers” is needed for the rescue of their children and reconstruction of the family while the disturbance and collapse of the public system of Korea is general.
But this paper is critically focusing on the mechanism of operation of motherhood discourse in thrillers. In spite of ‘the return of women’ meaning changes from ‘the victim/scapegoats’ to ‘the attacker’, it can be said that the thriller also functioned as the mechanism for women suppression. Paradoxically, their struggle and sacrifice is devoted to reinforcing patriarchal familism through gender discrimination and surplus representation. Meanwhile this paper finds the possibility of the new motherhood narrative of 〈My Neighbor〉.
In Korean film industry, the thriller films had been considered as the miner genre, but they have been emerging as the key genre in 2000s. Especially, what is seen as the remarkable is the women as the protagonist, who finally resolve the problems and replace the place of male-hero which had been forbidden for women.
Korean thriller films in 2000s are reflected people’s worry and fear about the social disability and instability. So their powerful action and violence “in the name of the mothers” is needed for the rescue of their children and reconstruction of the family while the disturbance and collapse of the public system of Korea is general.
But this paper is critically focusing on the mechanism of operation of motherhood discourse in thrillers. In spite of ‘the return of women’ meaning changes from ‘the victim/scapegoats’ to ‘the attacker’, it can be said that the thriller also functioned as the mechanism for women suppression. Paradoxically, their struggle and sacrifice is devoted to reinforcing patriarchal familism through gender discrimination and surplus representation. Meanwhile this paper finds the possibility of the new motherhood narrative of 〈My Neighbor〉.
목차
1. 들어가는 말
2. 한국 스릴러 장르의 젠더 지형 변화
3. 모성 신화의 강화
4. 모성 경험의 가능성으로〈이웃사람〉읽기
5. 결론
참고문헌
Abstract
참고문헌 (28)
참고문헌 신청
1. [학술지(정기간행물)] - 강혜경 / 2008 / 여성주의 윤리 시각에서 본 여성의 모성 / 여성학논집 25 (2) : 81 ~ 116
2. [단행본] - 김경욱 / 2013 / 나쁜 세상의 영화사회학 / 강
3. [학위논문] - 김영미 / 1999 / 한국영화에 나타난 모성성(maternity) 연구 : <수렁에서 건진 내딸>,<어미>,<마요네즈>의 모녀관계를 중심으로 / 석사 / 동국대학교 대학원
4. [학술지(정기간행물)] - 문소정 / 2010 / 한국 가족변동의 역사적 맥락에서 상상한 <마더>의 가족 욕망 / 여성학연구 20 (1)
6. [학술지(정기간행물)] - 배은경 / 2010 / 연쇄살인사건과 영화: 여성의 불안을 즐기는 사회 / 사회와역사(구 한국사회사학회논문집) (88) : 115 ~ 148
2. [단행본] - 김경욱 / 2013 / 나쁜 세상의 영화사회학 / 강
3. [학위논문] - 김영미 / 1999 / 한국영화에 나타난 모성성(maternity) 연구 : <수렁에서 건진 내딸>,<어미>,<마요네즈>의 모녀관계를 중심으로 / 석사 / 동국대학교 대학원
4. [학술지(정기간행물)] - 문소정 / 2010 / 한국 가족변동의 역사적 맥락에서 상상한 <마더>의 가족 욕망 / 여성학연구 20 (1)
6. [학술지(정기간행물)] - 배은경 / 2010 / 연쇄살인사건과 영화: 여성의 불안을 즐기는 사회 / 사회와역사(구 한국사회사학회논문집) (88) : 115 ~ 148
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UCI(KEPA) : I410-ECN-0101-2014-688-002349558