지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study aimed to examine the characteristics of Pyeong embodied in the imaginative geography by Gim Jae Chan(金載瓚, 1746-1827) who served as the governor of Pyeongyang(平壤) in the late 18th century and to figure out its literary characteristics. 〈Giseongbyeolgok(箕城別曲)〉 is a work that expressed the history and landscape of Pyeongyang splendidly. While it is similar to the paint 〈Giseongdo(箕城圖)〉, it was widely spread and accepted even after the 19th century for its different efficacy. Although this was written from the special viewpoint of the governor, it could be spread out widely and secure universality because the signifier ‘Giseong(箕城), could cause different imaginative geography from ‘Pyeongyang’, which resulted in the formation of emotion and sympathy.
From its beginning, 〈Giseongbyeolgok〉 paid more attention to the past which reminded by Giseong than the present of Pyeongyang. It described the origination of the space from Gojoseon(古朝鮮) and its history afterward in more detail expressing the grandeur spirit as the past capital city, and imbuing pride. In this process, retrospective and idealistic literary characteristics were found in a scene embodying Gijagung(箕子宮) and Jeongjeon(井田). But, it could confirm that there was a contrasting literary sense in the part that was related to the scenic spots of Pyeongyang. Instead of describing the present scene of Pyeongyang in a realistic way, the work imagined the emotion and sympathy in a transcendental perspective that demonstrated the idealized landscape beauty.
As such, Pyeongyang in 〈Giseongbyeolgok〉 was described as a place of having grandeur history in the past, and was idealized as a place of having idealistic landscape beauty. Underneath, there was an intrinsic imaginative geography of the governor who intended a good reign as a governor. It has a literary significance in that tl1e author embodied a highly elated mood and awareness orientation during his journey to historic places and scenic sites of Pyeongyang as a governor in sequence of 4-metrical rhythm and through the esthetic sense of the vernacular.
From its beginning, 〈Giseongbyeolgok〉 paid more attention to the past which reminded by Giseong than the present of Pyeongyang. It described the origination of the space from Gojoseon(古朝鮮) and its history afterward in more detail expressing the grandeur spirit as the past capital city, and imbuing pride. In this process, retrospective and idealistic literary characteristics were found in a scene embodying Gijagung(箕子宮) and Jeongjeon(井田). But, it could confirm that there was a contrasting literary sense in the part that was related to the scenic spots of Pyeongyang. Instead of describing the present scene of Pyeongyang in a realistic way, the work imagined the emotion and sympathy in a transcendental perspective that demonstrated the idealized landscape beauty.
As such, Pyeongyang in 〈Giseongbyeolgok〉 was described as a place of having grandeur history in the past, and was idealized as a place of having idealistic landscape beauty. Underneath, there was an intrinsic imaginative geography of the governor who intended a good reign as a governor. It has a literary significance in that tl1e author embodied a highly elated mood and awareness orientation during his journey to historic places and scenic sites of Pyeongyang as a governor in sequence of 4-metrical rhythm and through the esthetic sense of the vernacular.
목차
1. 서론
2. 조선후기 ‘기성(箕城)’의 재현 문화와〈기성별곡〉의 향유
3.〈기성별곡〉에 반영된 관찰사의 심상 지리와 형상화 특질
4. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2014-700-003668068