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자료유형
학술저널
저자정보
박죽심 (김포대학교)
저널정보
중앙어문학회 어문론집 語文論集 第53輯
발행연도
2013.3
수록면
339 - 366 (28page)

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초록· 키워드

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?;?;Sohn Chang-seop emerged as a writer who stands for literatures before and after the 1950s in the existing literary history. This evaluation led to relative indifference to a research on works after this, and produced a result of limiting Sohn Chang-seop to the literature in the 1950s. Also, he visited Japan where is his wife’s country in 1972, thereby having thrown several questions to us.
?;?;The purpose of this writing is to examine 「Naksojok」 and 「Shinui-hui-jak(A Comic creature of God)」, which were known as autobiographical novels in the psychoanalytic aspect, based on biographical fact, which was wrongly known, such as interview with Ueno who is Sohn Chang-seop’s wife as for 「Shin-ui-hui-jak」 after visiting Japan.
?;?;As a result, the following conclusions could be obtained. What had the greatest influence upon Soho Chang-seop’s forming attitude toward character, disposition or life is family. His childhood when he had lived with grandmother due to mother’s remarriage after losing his father in infancy shows impossibility of forming normal relationship with parents. The lack of affection with parents in childhood had influence even upon
grown-up. The absence of father, who is the identified subject with himself, was expanded into subject in ‘imagination.’ In 「Naksojok」, it is indicated to be a form of desiring a father of joining in the independence movement. It could be known that the bigger longing for father leads to being ‘more excessive’ in speaker’s behavior and that this lead to being shown to be absence of mother. On the other hand, 「Shin-ui-hui-jak」 could be confirmed to be expressed with a distorted method on sexual subject in adolescence when failing to form relationship of attachment in relationship with mother during childhood. However, it shows that a sense of shame disappears when meeting a woman who recognizes himself, but that maladjustment to social relationship cannot be easily overcome.

목차

1. 문제제기
2.「얄구진 비」에 나타난 마조히즘적 경향
3. 동세대에 대한 부정적 시선과 여성의식 -「낙서족」
4. ‘자화상’으로서의 자기분석과 사디즘적 경향 -「신의희작」
5. 결론
참고문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2014-700-003668124