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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study started from the self-reflection that we could not read individual characteristics carefully from Oryun Sijo(五倫時調) works because we were carried away by the content of Oryun(五倫) and the objective of Hunmin(訓民). I tried to read it with a new vision around the phase of communication including the writer, the recipient and the context. Based on such critical mind, I categorized Oryun Sijo(五倫時調) works aimed at both <Oryunga(五倫歌)> of Ju, Sebung(周世鵬) & Park, InRo(朴仁老). Also, I distinguished and researched into the situations of formation and communication from the perspective of Chul(working for the government, 出) and Cheo(living in seclusion, 處).
The difference of two positions, namely, government officials and local Sajok(scholarly families, 士族), resulted in the distinctions between the intentions and the purposes which were the reformation of the people and the unity of Sajok(士族) respectively. In addition, for the contents and the critical mind, the same contents, Oryun(五倫), was chosen or excluded according to the literary work. Besides, there were different emphases on the action and knowledge. Such changes came from the difference of the recipients, represented by common people and Sajok(士族) living in the country. As the Oryun Sijo(五倫時調) works were generated and enjoyed in the close connection with the Sugichiin(cultivating self-reliance and ruling others, 修己治人), we need to take a look at the goal and usefulness of a variety of Oryun Sijo(五倫時調) works, focusing on the communication context including the writer, the work and the recipient, with a new viewpoint.
The difference of two positions, namely, government officials and local Sajok(scholarly families, 士族), resulted in the distinctions between the intentions and the purposes which were the reformation of the people and the unity of Sajok(士族) respectively. In addition, for the contents and the critical mind, the same contents, Oryun(五倫), was chosen or excluded according to the literary work. Besides, there were different emphases on the action and knowledge. Such changes came from the difference of the recipients, represented by common people and Sajok(士族) living in the country. As the Oryun Sijo(五倫時調) works were generated and enjoyed in the close connection with the Sugichiin(cultivating self-reliance and ruling others, 修己治人), we need to take a look at the goal and usefulness of a variety of Oryun Sijo(五倫時調) works, focusing on the communication context including the writer, the work and the recipient, with a new viewpoint.
목차
1. 서 : 유형성과 전형성에 압도된 오륜시조 담론
2. 생성과 소통의 국면 : 관료로서의 출(出)과 재지사족으로서의 처(處)
3. 의도와 기능의 국면 : 일반 백성의 교화와 사족의 결속
4. 내용 구성과 문제의식의 국면 : 오륜 내용의 선택과 배제, 그리고 행동과 앎의 강조
5. 수기치인(修己治人)의 문제와 오륜시조의 다양성
6. 결론
참고문헌
참고문헌 (39)
참고문헌 신청
1. [단행본] - 권두환 / 1984 / 송강의 훈민가에 대하여, In 고전시가론 / 새문사 : 411 ~ 431
2. [단행본] - 권두환 / 1992 / 목소리 낮추어 노래하기, In 한국고전시가작품론 2 / 533~540 : 533 ~ 540
3. [학술지(정기간행물)] - 권정은 / 2003 / 훈민시조의 창작기반과 다원적 진술양상, / 국문학연구 9 ( ) : 209 ~ 233
4. [학술지(정기간행물)] - 김대현 / 1985 / 오륜사상의 현대적 의미 / 圓光漢文學 : 347 ~ 370
5. [단행본] - 김열규 / 1984 / 韓國詩歌의 抒情의 몇 局面, In 고전시가론 / 새문사 : 360 ~ 388
2. [단행본] - 권두환 / 1992 / 목소리 낮추어 노래하기, In 한국고전시가작품론 2 / 533~540 : 533 ~ 540
3. [학술지(정기간행물)] - 권정은 / 2003 / 훈민시조의 창작기반과 다원적 진술양상, / 국문학연구 9 ( ) : 209 ~ 233
4. [학술지(정기간행물)] - 김대현 / 1985 / 오륜사상의 현대적 의미 / 圓光漢文學 : 347 ~ 370
5. [단행본] - 김열규 / 1984 / 韓國詩歌의 抒情의 몇 局面, In 고전시가론 / 새문사 : 360 ~ 388
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