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논문 기본 정보

자료유형
학술저널
저자정보
정태용 (건국대학교)
저널정보
한국실내디자인학회 한국실내디자인학회 논문집 한국실내디자인학회 논문집 제21권 제2호
발행연도
2012.4
수록면
46 - 55 (10page)

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초록· 키워드

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This study aims to analyze the design concepts of Libeskind"s Jewish museums through their comparisons for figuring out his design intentions and characteristics in the realization process. Libeskind"s realized four Jewish museums are chosen for this study. For more concrete study, their extracting and application process are also reviewed. The comparison of his museum designs can be good examples in that they show different design approaches on the same architectural type, Jewish museum, to tell their something in common from differences. He could realize his architectural thoughts and configuration methods made by experimental drawings for the first time as real buildings through a series of Jewish museum projects. The commonness of Libeskind"s Jewish museums lie on their sharing design concept of Jewish "history and memory", especially Holocaust, and realized as in contrast to surroundings and "labyrinth" of spatial configuration to maximize spectator"s experiences. As Libeskind regards museum architecture as a carrier of "time and place", he tried to reflect surrounding context including places, cities, persons and events about museum programs. As a result, unprecedented museums which are not related to traditional museum systems about circulation and spatial configuration are suggested for users to experience Jewish life and history through architecture.

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Abstract
1. 서론
2. 리베스킨트 유태인 박물관의 건축개념
3. 리베스킨트 유태인 박물관의 건축개념비교
4. 결론
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