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논문 기본 정보

자료유형
학술저널
저자정보
김설희 (국민대학교) 허범팔 (국민대학교)
저널정보
한국실내디자인학회 한국실내디자인학회 논문집 한국실내디자인학회 논문집 제20권 제4호
발행연도
2011.8
수록면
54 - 62 (9page)

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초록· 키워드

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Fast industrialization caused from Descartes’ dichotomy has enormously developed our world, but endangered the ecosystem. In this study, the ecosystem aesthetics is not only a critique against existing growth-ideology and technical civilization, but also the art pursuing the life as an artistic state and achieving the dream for qualitatively different new future. Lao-tzu’s Natural Beauty assumes that the adaptation to natural laws can lead every purpose’s achievement. Based on such theoretical alternative, the earth construction as a medium for coexisting mankind, nature and construction interacts with the other objects through the natural affinity, the energy efficiency, the material generation. The earth construction provides the images of naivety, naturalness, folk as well as emotional stability in cultural terms. This study’s direction and method are as follows. First, it researches the ecosystem aesthetics from the Taoism viewpoint, the alternative for environmental healing based on theoretical reviews about the ecosystem aesthetics. Second, it researches the earth construction’s ecosystem aesthetic features and construction features from the low-tech aspect in continual construction genealogy. Third, it analyzes some cases targeting domestic buildings by drawing out expression methods and features through the connectivity of earth construction and ecosystem aesthetics. The earth construction lies between the heaven and the earth, but coexists in natural cycle. The earth construction caused from ecosystem aesthetics will be a future alterative, and various studies about its features and methods should be continued.

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Abstract
1. 서론
2. 지속가능한 흙건축의 이론적 고찰
3. 흙건축의 생태미학적 표현 및 특성
4. 사례분석
5. 결론
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