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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The purpose of this study is to explain an aspect of the literary figuration for poetry and painting poetry related to Chea-munhee(蔡文姬) and its meanings by comparing it with the literary works connected with Wang-Sokun(王昭君).
The paintings related to Chea-munhee were actively painted from the North-Song period in China. The reasons were that the pain caused by other nations was becoming visible as Kum"s menace were threatened, and that the paintings about Chea-munhee related to return of the Empress Dowager - Wee(韋太后) were started actively painted as the Royal of North-Song patronized production of paintings directly. We can recognize that with these impacts, the paintings connected with Chea-munhee were enjoyed in Korea.
In Korean literature, Chea-munhee have frequently been compared to a daughter left alone without siblings, and have been described as a woman who was kidnapped by Hiong Nu and passed over the border or who was suffered after passing over the border, and who nevertheless was kept loyalty to Han, and who was lost her chastity.
By the way, the painting poetry connected with Chea-munhee is rare but the painting poetry connected with Wang-Sokun is numerous, and this tendency is increased when it is expanded to poemes. Because Chea-munhee had issues on serving only one husband and her morality. And as Wang-Sokun was discribed as a woman who kept loyalty to Han and endured the pain, Korean poet created more poemes connected with Wang-Sokun.
But as the literary figuration connected with Chea-munhee were made up of various subjects, we don"t have to think that the literary figuration connected with Chea-munhee have been characterized losing her chastity.
The paintings related to Chea-munhee were actively painted from the North-Song period in China. The reasons were that the pain caused by other nations was becoming visible as Kum"s menace were threatened, and that the paintings about Chea-munhee related to return of the Empress Dowager - Wee(韋太后) were started actively painted as the Royal of North-Song patronized production of paintings directly. We can recognize that with these impacts, the paintings connected with Chea-munhee were enjoyed in Korea.
In Korean literature, Chea-munhee have frequently been compared to a daughter left alone without siblings, and have been described as a woman who was kidnapped by Hiong Nu and passed over the border or who was suffered after passing over the border, and who nevertheless was kept loyalty to Han, and who was lost her chastity.
By the way, the painting poetry connected with Chea-munhee is rare but the painting poetry connected with Wang-Sokun is numerous, and this tendency is increased when it is expanded to poemes. Because Chea-munhee had issues on serving only one husband and her morality. And as Wang-Sokun was discribed as a woman who kept loyalty to Han and endured the pain, Korean poet created more poemes connected with Wang-Sokun.
But as the literary figuration connected with Chea-munhee were made up of various subjects, we don"t have to think that the literary figuration connected with Chea-munhee have been characterized losing her chastity.
목차
1. 머리말
2. 채문희 관련 회화의 성행과 그 전래
3. 채문희 관련 문학적 형상화의 양상
4. 채문희 관련 문학적 형상화의 의미
5. 맺음말
참고문헌
참고문헌 (18)
참고문헌 신청
1. [학위논문] - 김소영 / 2005 / 곽말약의 《삼개반역적여성》 연구 / 석사 / 청주대학교 대학원
3. [학위논문] - 朴孝淑 / 1998 / 郭沫若 歷史劇『三個叛逆的女性』硏究 / 석사 / 梨花女子大學校 大學院
4. [학위논문] - 소향원 / 2011 / 채문희 소재 작품에 나타난 이민족관과 '귀한'의 의미 분석 / 석사 / 전북대학교 대학원
5. [학술지(정기간행물)] - 신진호 / 2008 / 郭沫若의 話劇 ｢蔡文姬｣의 文學的 價値 / 중국어문학논집 (50) : 309 ~ 328
6. [학술지(정기간행물)] - 엄귀덕 / 1985 / <悲憤詩> 硏究 / 忠南大學校 人文科學硏究所 論文集 12 (2) : 265 ~ 279
3. [학위논문] - 朴孝淑 / 1998 / 郭沫若 歷史劇『三個叛逆的女性』硏究 / 석사 / 梨花女子大學校 大學院
4. [학위논문] - 소향원 / 2011 / 채문희 소재 작품에 나타난 이민족관과 '귀한'의 의미 분석 / 석사 / 전북대학교 대학원
5. [학술지(정기간행물)] - 신진호 / 2008 / 郭沫若의 話劇 ｢蔡文姬｣의 文學的 價値 / 중국어문학논집 (50) : 309 ~ 328
6. [학술지(정기간행물)] - 엄귀덕 / 1985 / <悲憤詩> 硏究 / 忠南大學校 人文科學硏究所 論文集 12 (2) : 265 ~ 279
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