지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In Hayati, My Life (2000) American feminist Miriam Cooke resuscitates a voice of a Palestinian subaltern. Tracing back at the three generations of Palestinian women, she grapples with a possibility of subaltern resistance from the perspective of a mute girl, Afaf, who suffers socio-political discrimination. Her resistant voice can be heard through the philosophy of Emmanuel Levinas, the ethics of the Other. Afaf establishes her impregnable subjectivity through “enjoyment”, the acts of painting and cutting her hair. Describing several images of faces and eyes, she once completely forgotten as a subaltern vindicates other subalterns killed and deserted in war. In following the order emanating from the face of the other, that is hospitality, she welcomes a wanderer in her house and makes him a friend. Her unconditional hospitality makes a stark contrast to an Iraqi soldier’s refusal of the ethical command as he hideously murders with a chauvinistic zeal a defenseless old man. Choosing a subaltern of subalterns, Cooke allows Afaf to speak aloud to the majoritarian Arab feminists as well as Arab nationalists, in search of an absolute exteriority of the other, which is a key to the Israeli-Palestinian dispute.
목차
Ⅰ. 들어가기
Ⅱ. 향유와 주체의 형성
Ⅲ. 타인의 얼굴
Ⅳ. 환대
Ⅴ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2014-800-002628172