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논문 기본 정보

자료유형
학술저널
저자정보
정철민 (경성대학교)
저널정보
새한영어영문학회 새한영어영문학 새한영어영문학 제55권 제4호
발행연도
2013.11
수록면
23 - 42 (20page)

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초록· 키워드

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In recent studies of the sonnet tradition in the early nineteenth century, Keats’s sonnets, which need to be understood in terms of the development of the poet’s distinctive poetic system, have been undervalued. Keats’s understanding of the new sonnet tradition offered him the poetic strength to express lyric qualities as well as the power of his integrated selfhood. His early sonnets repeatedly trace a poetic process in which a sensual experience is completed only when it ends in the composition of poetry while Keats’s latter sonnets represent his earnest and persistent inquiry into the conditions of his existence as a poet. Even, in the way the twentieth-century sonneteers represent the troubling aspect of modern times and a solid re-affirmation of man’s existence, their sonnet model finds its origin in Keats’s sonnet model which concerns the negatively capable existence, battling its way through the problems of self.
The purpose of this paper is to re-evaluate Keats’s sonnets as a key place in which the poet wrestles with the conflicts between poetic ideal and his limited selfhood as a poet. This paper reveals the interrelationship between the Keats’s sonnets and his modes of perception, and emphasizes the significance of the composition of sonnets for Keats’s poetic development.

목차

Ⅰ. 키츠와 소네트의 관련성
Ⅱ. 1818년 이전 소네트의 양상
Ⅲ. 1818년 이후 소네트의 양상
Ⅳ. 키츠 소네트의 새로운 방향성
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UCI(KEPA) : I410-ECN-0101-2014-800-002628187