지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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As the title suggests, Flannery O’Connor’s modern landscape is “a territory held largely by the devil,” in which a good man is hard to find. O’Connor’s devil is not simply a psychological tendency or a vehicle for her satire for “our godless actuality”; He is to be “recognized as existing in himself and as a dramatic necessity for the writer.” The devil exists at the center of O’Connor’s literary imagination, which is located squarely in her Catholic faith. The ego-bloated, self-intoxicated characters are the surest candidates to fall victim to the devil. The fatal encounter between the devil and the main characters is at the core of the O’Connor narrative. The devil plays the role of a spiritual catalyst by ripping apart their outward facade and delivering a harsh lesson leading them to painful self-knowledge, which is the prologue of grace. The paper keeps track of the process of the devil’s working as “the unwilling instrument of grace” through “piercing pretensions” of the intruded.
목차
Ⅰ. 서론: 오코너의 악마
Ⅱ. 악마의 “위선 뚫기”
Ⅲ. 악마: “은총의 본의 아닌 도구”
Ⅳ. 결론: 악마, 극적 필연성
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UCI(KEPA) : I410-ECN-0101-2014-800-003520802