지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한복문화학회 한복문화 韓服文化 第16卷 3號
- 발행연도
- 2013.12
- 수록면
- 49 - 61 (13page)
- DOI
- 10.16885/jktc.2013.12.16.3.49
이용수
초록· 키워드
오류제보하기
The purpose of this study is to analyze characteristics of make-up elements of characters in two Korean historical films, 〈King and the Clown〉 and 〈A Frozen Flower〉, and to compare symbolical elements common in make-up according to character relations. Following are the results of the study. First, Hongrim and Gonggil who were homosexual characters did not wear mustaches or beards. Through cross sexual image like pin up boys with bright color skin tone and light colored lips, they were expressed symbolically. Second, the character of strong monarch had upward eyebrows, shaded eyes and face outline with shedding. As a king with sorrow and wrath, they had dark complexion, empty eyes with dark shades and blurred or chapped lips. To show homosexual characteristics, King Gongmin did not have beards, while Yeonsangun had short beards to describe his temper with wrath. Third, Princess Noguk and Jang Nok-su who longed for love had light complexion, soft eyebrows, facial outline with shedding, lips in red tone and various figs and hair ornaments. Forth, the character of Jangsaeing who symbolizes delegated satisfaction of Yeonsangun had dark eyebrows, mottled skin and tangled hair and became an important character with symbolism in King and the Clown.
목차
〈Abstract〉
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 캐릭터의 분장 비교 분석
Ⅳ. 결론 및 제언
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