지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Japanese new religion, Tenrikyo has a particular ritual, which is consisted of dance, song and music. It is called gongyo service, that is believed to give the faithful people a joyous life and a healing effect. Especially the gongyo ritual that is performed in the main shrine, so to speak, “the Residence of Origin” of Tenrikyo, takes a cosmic signification of the realization of Tenri salvation. So we would like to pay attention to this particular and multi-layered ritual in the perspective of ritual theory. Among the various ritual theories, Levi-Strauss` insightful mention about the structural and formal aspects of ritual could be useful for us to analyze the characteristics of Tenri gongyo ritual.
In taking up the main subject, we examined the formation system of Tenrigyo ritual practices. Their history, classifications from the criteria of time and space could be included in it. Then our focus goes on the actual aspects of gongyo ritual and Dance with hand. The main objects for analytical descriptions are 1) persons who worked in the ritual, 2) spatial configuration of ritual practice, 3) ritual process. Form that procedure we could identify the particularities of Tenri gongyo ritual which had to be interpreted.
For trying to extract the inherent character from the Tenri ritual practices, we thought the concepts of French anthropologist, Claude Levi-Strauss, i.e., repetition, parcelling out, micro-adjustment, to be much important analytical tools. With the conceptual applications, the formative approach to the somehow complicated ritual would be proved to have a latent possibility.
In taking up the main subject, we examined the formation system of Tenrigyo ritual practices. Their history, classifications from the criteria of time and space could be included in it. Then our focus goes on the actual aspects of gongyo ritual and Dance with hand. The main objects for analytical descriptions are 1) persons who worked in the ritual, 2) spatial configuration of ritual practice, 3) ritual process. Form that procedure we could identify the particularities of Tenri gongyo ritual which had to be interpreted.
For trying to extract the inherent character from the Tenri ritual practices, we thought the concepts of French anthropologist, Claude Levi-Strauss, i.e., repetition, parcelling out, micro-adjustment, to be much important analytical tools. With the conceptual applications, the formative approach to the somehow complicated ritual would be proved to have a latent possibility.
목차
Ⅰ. 서론
Ⅱ. 천리교 의례의 편성 체계
Ⅲ. 천리교의 주요 의례 : 근행 의례
Ⅳ. 손춤의 의례적 기능
Ⅴ. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2015-200-001214525