지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.12
- 수록면
- 102 - 130 (29page)
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초록· 키워드
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Fashion visually identifies one’s culture. Through this case study of the inaugural event of the London International Fashion Showcase 2012, this paper explores each nation’s definition of fashion, cultural identity, and location in the international fashion market. The showcase exhibited a wide spectrum of cultural identities. The fashion of some Asian and African nations appeared largely based on local color, while that of China and Australia appeared to be attempting to overcome what is seen as the stigma of local parochialism. Likewise, the fashion of some European nations appeared to reflect a consumerist culture, while that of Korea, Japan, and Estonia appeared to be experimenting with new and imaginative ideas. Meanwhile, in Belgium, Italy, and the United States, fashion appears to reflect an industrial system where contemporary aesthetics is methodically transformed into fashion products. Finally, in the Netherlands, fashion appears to be a form of contemporary culture constantly interacting with modern life. Here, locality is the ability to communicate a contemporary agenda in fashion as well as art. In fashion, as in language, the local and the global are not matters of conflict or dominance. Rather, fashion, as suggested by the London International Fashion Showcase, is a language that enables us to communicate with and negotiate the realms of contemporary life.
목차
Abstract
Ⅰ. 서론
Ⅱ. IFS2012 참가국별 전시 내용
Ⅲ. 결론 - IFS2012로 보는 패션 아틀라스
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UCI(KEPA) : I410-ECN-0101-2015-600-001381036