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자료유형
학술저널
저자정보
배개화 (단국대학교)
저널정보
국어국문학회 국어국문학 국어국문학 제166호
발행연도
2014.3
수록면
261 - 290 (30page)

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This essay verified that Yi Tae-jun’s female heroin novels, <Seongmo (Holy Mother, 1935)>, <Ttalsamhyeongjae (Three Sisters, 1938)>, <Cheong chun museong (Exuberant Bloom of Youth, 1940)> and <Haengbogeui Huinsondeul (White Hands of happiness, 1942-3)> criticized patriarchism in colonial Korean society. Yi viewed a preference for male offsprings and patriarchism as evidences of semi-feudalism prevailed in colonial Korea, hindering to progress women in personality as a modern citizen. Since the proclaim of ‘The Total Mobilization Act’ in 1938, the criticism on patriar chism extended into paternalistic nationalism of imperial Japan. As Japanese nationalism acts as the ideology to control the everyday life of Korean, social oppression over women became more reinforced. Korean women were requested to play role of not only ‘good wife and wise mother’ for their family but also the people loyal to Japanese empire. The ‘Total Mobilization System’ criticized ‘modern women’ so called sinyeoseong for being liberal, individual, decadent, unproductive, unpatriotic, and non-Ja panese, stressing that they have to fulfill their hierarchial duties in society and family. However, Yi Tae-jun, by creating bildungsroman with female heroin such as a divorced woman and a working woman, denied paternalistic nationalism, wishing to show matrilineal or alternative family based on the culture and education. In conclusion, at first Yi Tae-jun’s bildungsroman dealt with women’s issues and patriarchism in colonial Korea from the viewpoint of Korean nationalism, but after break of Sino-Japanese War in 1937, its viewpoint was turn into liberalism and culturism which was criticized as non-Japanese at that time.

목차

1. 머리말
2. 교양주의와 민족주의의 경계:<성모>
3. 가부장제 비판과 대안 가정의 상상:<딸 삼형제>, <청춘무성>
4. 총동원체제의 가부장적 여성교육비판:<행복에의 흰 손들>
5. 맺음말
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UCI(KEPA) : I410-ECN-0101-2015-800-001379232