지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.2
- 수록면
- 175 - 214 (40page)
- DOI
- 10.17647/jss.2014.02.54.175
이용수
초록· 키워드
오류제보하기
This paper studied a hazing ritual held by a central government office of late Joseon period, and Seonjeongwangyehoedo(宣傳官契會圖), a painting of a hazing ritual of royal fanfare musicians. A hazing ritual was a rite of passage for a new official to be admitted as a formal member. A compulsory item for the ritual was the painting which draws the scene of that specific ritual. The fact that the gathering of the same office members mostly took the form of a hazing ritual was proved by Seonjeongwangyehoedo(宣傳官契會圖).
Five paintings of 18th Century Seonjeongwangyehoedo(宣傳官契會圖) are found today. A Seonjeongwangyehoedo(宣傳官契會圖) painted between 1778 to 1789 depicts the gathering around the riverside and the deck of the Han river and Noryangjin(鷺梁津). After a hazing ritual was banned, once a pleasure-giving gathering of royal musicians was depicted as more abstained meeting around the river side. This paper unveiled the hidden custom behind the hazing ritual of royal musicians of late Joseon through its painting, and showed that the hazing ritual was the motivation behind the Seonjeongwangyehoedo(宣傳官契會圖). An outcome of this paper is that it inquired into the actual presence of royal fanfare musicians through the custom of a hazing ritual and a painting describing it.
Five paintings of 18th Century Seonjeongwangyehoedo(宣傳官契會圖) are found today. A Seonjeongwangyehoedo(宣傳官契會圖) painted between 1778 to 1789 depicts the gathering around the riverside and the deck of the Han river and Noryangjin(鷺梁津). After a hazing ritual was banned, once a pleasure-giving gathering of royal musicians was depicted as more abstained meeting around the river side. This paper unveiled the hidden custom behind the hazing ritual of royal musicians of late Joseon through its painting, and showed that the hazing ritual was the motivation behind the Seonjeongwangyehoedo(宣傳官契會圖). An outcome of this paper is that it inquired into the actual presence of royal fanfare musicians through the custom of a hazing ritual and a painting describing it.
목차
Ⅰ. 머리말
Ⅱ. 조선후기 免新禮의 관행
Ⅳ. 宣傳官契會圖의 사례와 특징
Ⅴ. 맺음말
참고문헌
ABSTRACT
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