지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper is written in order to research for the distance between recognition and lyricism in Kyong Hoe’s Chino-Korean Poetry. Kyong Hoe was a poet as well as a monk. So he wrote many Chino-Korean Poetry which contained recognition and lyricism about nature and human-beings, Buddhism.
The firstly, in aspect of the object of recognition, Kyong Hoe recognized the fact that nature is nature phenomena itself and principle, human-beings is transient and empty, Buddhism is original Buddha, but it could be separated into Buddha and mankinds.
The secondly, in aspect of the basis of recognition, the recognition of nature is based on the thought of nature principle and Buddhist cause-effect, the recognition of human-beings is based on the thought of mundane world and Buddhist world, the recognition of Buddhism is based on the thought of original Buddha and enlightenment needs.
The thirdly, in aspect of the object of lyricism, Kyong Hoe felt sorrow and worry from nature phenomena and human-beings’s life, Buddhist cause-effect. But he felt big joy from Buddhist enlightenment.
The fourthly, in aspect of the characteristics of lyricism, The feelings of sorrow and worry from nature phenomena and human-beings’s life, Buddhist cause-effect are mundane. But the feelings of Buddhist enlightenment is inmundane.
In conclusion, there is long distance between recognition and lyricism in Kyong Hoe’s Chino-Korean Poetry. Because his feelings, for instance, sorrow and worry, were different from the way of his recognition which is rational, sometimes very scientific. So his Chino-Korean Poetry showed high quality because of big tension between recognition and lyricism.
The firstly, in aspect of the object of recognition, Kyong Hoe recognized the fact that nature is nature phenomena itself and principle, human-beings is transient and empty, Buddhism is original Buddha, but it could be separated into Buddha and mankinds.
The secondly, in aspect of the basis of recognition, the recognition of nature is based on the thought of nature principle and Buddhist cause-effect, the recognition of human-beings is based on the thought of mundane world and Buddhist world, the recognition of Buddhism is based on the thought of original Buddha and enlightenment needs.
The thirdly, in aspect of the object of lyricism, Kyong Hoe felt sorrow and worry from nature phenomena and human-beings’s life, Buddhist cause-effect. But he felt big joy from Buddhist enlightenment.
The fourthly, in aspect of the characteristics of lyricism, The feelings of sorrow and worry from nature phenomena and human-beings’s life, Buddhist cause-effect are mundane. But the feelings of Buddhist enlightenment is inmundane.
In conclusion, there is long distance between recognition and lyricism in Kyong Hoe’s Chino-Korean Poetry. Because his feelings, for instance, sorrow and worry, were different from the way of his recognition which is rational, sometimes very scientific. So his Chino-Korean Poetry showed high quality because of big tension between recognition and lyricism.
목차
1. 서론
2. 인식의 대상과 기반
3. 서정의 대상과 성격
4. 결론
참고 문헌
[Abstract]
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UCI(KEPA) : I410-ECN-0101-2015-800-001676561