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This article discusses the aesthetic characteristics of Literature Festivals through a comparative analysis between ‘Bloomsday’ in Ireland and the memorial festival of ‘Kim Yoo-Jeong’ in Korea. Literature Festivals interact with visitors and texts, as well as the main characters in the texts. Bloomsday has been one of the best literature festivals in the world. Bloomsday is a commemoration and celebration of the life of Irish writer James Joyce during which the events of his novel Ulysses (which is set on 16 June 1904) are relived. It is observed annually on 16 June in Dublin and elsewhere.
In this context, Bloomsday in Dublin makes visitors feel like Leopold Bloom so that it is easy to bring about an aesthetic affection. However, the memorial festival of Kim Yoo-Jeong’s Literature Festival makes visitors experience the materials in the novels of Kim Yoo-Jeong. Bloomsday is much more attractive than other Literature Festivals because the visitors at the festival are absorbed into the main character emotionally by acting like Bloom in the novel. However, Bloomsday’s aesthetic experience has a limitation in that visitors is depart from each other individually. Therefore, it seems to fail to interact with visitors together or make visitors feel like communicating with each other.
On the other hand, the memorial festival of Kim Yoo-Jeong in Sile makes visitors experience unique material from his novels. However, it seems to fail to make visitors feel an aesthetic empathy about his literature because they do not completely immerse themselves in his texts. From this perspective, going forward, I suggest Kim Yoo-Jeong’s memorial festival create a better main character experience that encourages visitors to act like the main character. In addition, it is possible for visitors to experience a story, for example in the third person, that reflects a point of Kim Yoo-Jeong’s novels.
In this context, Bloomsday in Dublin makes visitors feel like Leopold Bloom so that it is easy to bring about an aesthetic affection. However, the memorial festival of Kim Yoo-Jeong’s Literature Festival makes visitors experience the materials in the novels of Kim Yoo-Jeong. Bloomsday is much more attractive than other Literature Festivals because the visitors at the festival are absorbed into the main character emotionally by acting like Bloom in the novel. However, Bloomsday’s aesthetic experience has a limitation in that visitors is depart from each other individually. Therefore, it seems to fail to interact with visitors together or make visitors feel like communicating with each other.
On the other hand, the memorial festival of Kim Yoo-Jeong in Sile makes visitors experience unique material from his novels. However, it seems to fail to make visitors feel an aesthetic empathy about his literature because they do not completely immerse themselves in his texts. From this perspective, going forward, I suggest Kim Yoo-Jeong’s memorial festival create a better main character experience that encourages visitors to act like the main character. In addition, it is possible for visitors to experience a story, for example in the third person, that reflects a point of Kim Yoo-Jeong’s novels.
목차
I. 서론
II. 문학축제 논의의 기본시각
III. ‘블룸스데이’의 미학
IV. ‘김유정문학제’의 미학
V. 결론
Works Cited
Abstract
참고문헌 (19)
참고문헌 신청
1. [학술지(정기간행물)] - 김근태 / 1984 / 김유정 소설의 서술방식과 변모과정 / 崇實語文 4 : 171 ~ 197
2. [단행본] - 김유정 / 1934 / 병상의 생각 / 조광지
3. [단행본] - 김학동 / 1994 / 제임스 조이스—의식의 흐름과 소설의 혁명 / 건국대학교 출판부
4. [학술지(정기간행물)] - 남기헌 / 2007 / 『율리시스』에 나타난 도시 미학 -「하데스」와 「떠도는 바위들」을 중심으로 / 제임스조이스저널 13 (2) : 27 ~ 51
5. [학술지(정기간행물)] - 박준원 / 1990 / 바슈(V. Basch) 미학에 있어서 예술과 감정의 문제 / 美學 15 (1) : 29 ~ 78
2. [단행본] - 김유정 / 1934 / 병상의 생각 / 조광지
3. [단행본] - 김학동 / 1994 / 제임스 조이스—의식의 흐름과 소설의 혁명 / 건국대학교 출판부
4. [학술지(정기간행물)] - 남기헌 / 2007 / 『율리시스』에 나타난 도시 미학 -「하데스」와 「떠도는 바위들」을 중심으로 / 제임스조이스저널 13 (2) : 27 ~ 51
5. [학술지(정기간행물)] - 박준원 / 1990 / 바슈(V. Basch) 미학에 있어서 예술과 감정의 문제 / 美學 15 (1) : 29 ~ 78
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