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논문 기본 정보

자료유형
학술저널
저자정보
허정애 (서울여자대학교) 송미경 (서울여자대학교)
저널정보
한복문화학회 한복문화 韓服文化 第17卷 3號
발행연도
2014.8
수록면
73 - 91 (19page)
DOI
10.16885/jktc.2014.08.17.3.73

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초록· 키워드

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The study aims to examine the seu-ran skirt during the Joseon period. The seu-ran skirt is described as a ceremonial skirt featuring seu-ran patterns, which were a horizontal decoration in the knee area or at the bottom. A two-tier seu-ran was called a ssang-seu-ran or a dae-ran. This study focuses on comparing the form of seu-ran skirts and seu-ran patterns in the Ming period and the Joseon period, and examining their characteristics in the different periods. Looking at the seu-ran skirt in the Ming period, the one-tier seu-ran skirt had decoration at the bottom of the skirt, while the two-tier seu-ran skirt had ornamentation in the knee area or at the bottom. Seu-ran patterns found in the seu-ran skirt in the Ming period include animal patterns such as phoenix patterns, giraffe patterns and dragon patterns, in addition to treasure patterns and floral patterns. As for the seu-ran skirt in the Joseon period, the hemline was placed in the knees and at the bottom in the mid-Joseon period before being arranged at the bottom of the skirt in the late Joseon period. The color of seu-ran skirts in the Joseon period included scarlet, dark blue and violet reddish. Seu-ran patterns found in seu-ran skirts in the Joseon period include patterns featuring images of children in the 16<SUP>th</SUP> century, patterns featuring images of children, phoenix patterns, giraffe patterns and patterns of birds and flowers in the 17<SUP>th</SUP> century, and dragon patterns, phoenix patterns and patterns featuring Chinese characters and flowers in the 19<SUP>th</SUP> century and in the 20<SUP>th</SUP> century. In the mid-Joseon period, seu-ran patterns were mostly gold thread patterns, while gilt patterns dominated in the late Joseon period.

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Abstract
Ⅰ. 서론
Ⅱ. 명대 스란치마
Ⅲ. 조선시대 스란치마의 문헌 고찰
Ⅳ. 조선시대 스란치마의 유물 고찰
Ⅴ. 결론
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UCI(KEPA) : I410-ECN-0101-2015-590-002549302