지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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In early 17th century, Joseon dynasty suffered from damages in the successive wars with its neighbors and strived for the restoration, though the process was very slow due to the loss of resources during wartime. The lack of the resources could be found in every part, but was even more serious when it came to the incomplete preparation for the royal ceremonies, the right opportunities for the proper respectfulness that Joseon dynasty had emphasized. What was most difficult to be prepared was Yong Jun(龍樽), or the dragon jar, which was the blue-and-white porcelain jar with dragon design.
In Joseon dynasty, Yong Jun was so important that it was used only for the highest members of the royal court and royal officers used to go down to the royal kilns to supervise the making of Yong Jun. But in early 17th century, with no reserve of Yong Jun nor possibilities of further production for a while, some new solutions were needed to replace it. And the very first solution was using Ga Hwa Yong Jun, meaning the fake dragon jar, which was the white porcelain jar with dragon design drawn on the surface, whereas its original version had dragon design in underglaze blue.
While it received little attention by now, Ga Hwa Yong Jun deserves more attention with its importance. Better assumptions can be made by reviewing every details of the records relevant to its use and examining the realistic possibilities of its techniques. And some newly-found records are useful to increase reliability and concreteness. Therefore, this is practically the first attempt to make deep investigations on Ga Hwa Yong Jun in early 17th century, presenting a new perspective on the ceramic history in Joseon dynasty.
In Joseon dynasty, Yong Jun was so important that it was used only for the highest members of the royal court and royal officers used to go down to the royal kilns to supervise the making of Yong Jun. But in early 17th century, with no reserve of Yong Jun nor possibilities of further production for a while, some new solutions were needed to replace it. And the very first solution was using Ga Hwa Yong Jun, meaning the fake dragon jar, which was the white porcelain jar with dragon design drawn on the surface, whereas its original version had dragon design in underglaze blue.
While it received little attention by now, Ga Hwa Yong Jun deserves more attention with its importance. Better assumptions can be made by reviewing every details of the records relevant to its use and examining the realistic possibilities of its techniques. And some newly-found records are useful to increase reliability and concreteness. Therefore, this is practically the first attempt to make deep investigations on Ga Hwa Yong Jun in early 17th century, presenting a new perspective on the ceramic history in Joseon dynasty.
목차
I. 머리말
Ⅱ. ‘가화용준’의 출현과 사용
Ⅲ. ‘가화’ 기법에 대한 검토
Ⅳ. 맺음말
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ABSTRACT
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UCI(KEPA) : I410-ECN-0101-2015-600-002913783