지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Ippei Okamoto (1886－1948) was an enormously popular cartoonist in Japan before World War Ⅱ. He had published a number of comics in The Tokyo Asahi Newspaper, developing a new expressive style of “manga” (comic) caricature in newspapers known as “punch.” He also expanded the genre by drawing on themes from a variety of sources, including political and children"s comics. Okamoto was a pioneer in developing comic representation and enhanced the genre’s relationship to social issues.
In 1927, he traveled to Korea. That same year, he subsequently published the serial comic travel diary titled “Chosen Manga Kou” (The Korean Comic Tour) in the Tokyo Asahi Newspaper. With Japan"s annexation of Korea in 1910, Korea became a popular destination for Japanese travelers. Traversing this attractive tourist route was a means to explore Japan’s territory in the world. Following annexation, the Tokyo Asahi Newspaper Publishing Company immediately planned group package tours that traveled by steamer to Manchuria and Korea. These kinds of travel packages and the newspaper’s various media events, including Okamoto’s Korean tour, contributed to a Korean tour boom that would last until 1940. 1927 was a year in which tourist travel to Korea increased markedly.
During the late 1920s, many famous Japanese painters traveled to colonial Korea to paint the Korean landscape and women. However, they created idealized images of their subjects from the viewpoint of tourist onlookers, distanced from the lived conditions on the peninsula. In contrast, Okamoto observed and talked with Korean men and women of various social classes; occasionally, he drew figures for his comic diary. Although Okamoto drew his travel diary as recreational story narrated with funny episodes and selfdeprecating humor, his work also provides a glimpse of the reality of Korean society under Japanese rule.
In 1927, he traveled to Korea. That same year, he subsequently published the serial comic travel diary titled “Chosen Manga Kou” (The Korean Comic Tour) in the Tokyo Asahi Newspaper. With Japan"s annexation of Korea in 1910, Korea became a popular destination for Japanese travelers. Traversing this attractive tourist route was a means to explore Japan’s territory in the world. Following annexation, the Tokyo Asahi Newspaper Publishing Company immediately planned group package tours that traveled by steamer to Manchuria and Korea. These kinds of travel packages and the newspaper’s various media events, including Okamoto’s Korean tour, contributed to a Korean tour boom that would last until 1940. 1927 was a year in which tourist travel to Korea increased markedly.
During the late 1920s, many famous Japanese painters traveled to colonial Korea to paint the Korean landscape and women. However, they created idealized images of their subjects from the viewpoint of tourist onlookers, distanced from the lived conditions on the peninsula. In contrast, Okamoto observed and talked with Korean men and women of various social classes; occasionally, he drew figures for his comic diary. Although Okamoto drew his travel diary as recreational story narrated with funny episodes and selfdeprecating humor, his work also provides a glimpse of the reality of Korean society under Japanese rule.
목차
I. 시작하며
Ⅱ.『도쿄아사히신문』과 오카모토 잇페이의 ‘漫?漫文’
Ⅲ. 만주, 한국 여행 붐과 오카모토 잇페이의 ‘캐리커처 데이’
Ⅳ. 체험자로서의 눈과 자학적 유머
Ⅴ. 마치며
참고문헌
ABSTRACT
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