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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.11
- 수록면
- 324 - 355 (34page)
이용수
초록· 키워드
오류제보하기
This paper recognizes the importance of visual records in historical studies, and asserts that specific measure need to be considered to realize the three aspects - “making visual records into public assets,” the “looking beyond the empire-nation state narrative,” and “writing of visual history by the public” - in order to make progress in the writing of history.
“Making visual records public assets” does not simply refer to the disclosing of visual records; it refers to the formation of a database by the public to utilize visual records in writing of the history. “Looking beyond the empire-nation state narrative” is a search for research methodology on an introductory level to learn why and how to look at visual records from modern Korea in history.
Most documentary films that have the possibility to become public goods have been produced by the “modern empire” or a “nation state,” and therefore they are propaganda or educative in nature. Only when we approach these visual records critically, is it possible to understand the abundance of past traces left by those who were unable to become the main actors in the “empire-nation state system,” which emerged in the 20th Century as a result of the colonial rule and division, and those who attempted to overcome this oppressive system.
Lastly, in this information era, it is necessary for professional historians to recognize that everyone is a principal agent in writing visual history and can contribute to the history writing of the public.
“Making visual records public assets” does not simply refer to the disclosing of visual records; it refers to the formation of a database by the public to utilize visual records in writing of the history. “Looking beyond the empire-nation state narrative” is a search for research methodology on an introductory level to learn why and how to look at visual records from modern Korea in history.
Most documentary films that have the possibility to become public goods have been produced by the “modern empire” or a “nation state,” and therefore they are propaganda or educative in nature. Only when we approach these visual records critically, is it possible to understand the abundance of past traces left by those who were unable to become the main actors in the “empire-nation state system,” which emerged in the 20th Century as a result of the colonial rule and division, and those who attempted to overcome this oppressive system.
Lastly, in this information era, it is necessary for professional historians to recognize that everyone is a principal agent in writing visual history and can contribute to the history writing of the public.
목차
1. 들어가며: 한국사학계의 영상 연구 지체와 원인
2. 영상자료의 아카이빙: 사유화 지양과 공공재의 축적
3. 영상자료의 독해 : ‘제국-국민국가’의 서사와 그 너머의 역사 보기
4. 나가며: 공중들의 영상역사 쓰기와 역사학자의 역할
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UCI(KEPA) : I410-ECN-0101-2016-905-000968697