지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.12
- 수록면
- 293 - 316 (24page)
이용수
초록· 키워드
오류제보하기
Since the period of Joseon Dynasty, Seoul has been the center of culture and art in the Korean peninsula. With regard to formative arts, Seoul was dominated in the quality, sophistication, and quantity in the comparison with other provinces. Such situations became changed in modern times. During the modern period, local artistic communities that could be compared with artistic communities in Seoul were established. Among local artistic communities, Pyongyang painting circle was the most characteristic. Pyongyang was the base city of art equivalent to Seoul during the modern period and left distinctive traces beyond the meaning of a local painting circle.
Pyongyang was the most representative space of entertainment and culture and arts. The rich social and economical circumstances of Pyongyang became the background to establish Pyongyang painting circle and to increase artistic capability. Pyongyang was the place that had artistic capability to allow painting activities and to produce high quality painting works. The characteristics of Pyongyang painting circle can be found at the point that it kept a more close relationship with Seoul painting circle than local artistic communities. The painters in Pyongyang painting circle during the modern period actively involved in the distribution and sales of paintings and calligraphic works and participated in art education and exhibition. It is noticeable that Pyongyang painting circle showed distinctive special aspects as it promptly accepted the new style of painting in comparison with other regions.
The characteristics of supports for Pyongyang painting circle can be found in the wide objects and fields. The figures who continuously supported culture in local areas were rich and intelligent classes and had awareness to make a contribution to the growth of local culture and arts. Such points were deeply related to the fact that consumers for culture and arts in local artistic communities were limited in comparison with Seoul painting circle.
This thesis is meaningful since it examines the history of the supports for paintings and calligraphic works and the history of distribution, reveals the features of local artistic communities during the modern period, and based on that, allows to understand the situation of paintings and calligraphic works during the modern period from all aspects.
Pyongyang was the most representative space of entertainment and culture and arts. The rich social and economical circumstances of Pyongyang became the background to establish Pyongyang painting circle and to increase artistic capability. Pyongyang was the place that had artistic capability to allow painting activities and to produce high quality painting works. The characteristics of Pyongyang painting circle can be found at the point that it kept a more close relationship with Seoul painting circle than local artistic communities. The painters in Pyongyang painting circle during the modern period actively involved in the distribution and sales of paintings and calligraphic works and participated in art education and exhibition. It is noticeable that Pyongyang painting circle showed distinctive special aspects as it promptly accepted the new style of painting in comparison with other regions.
The characteristics of supports for Pyongyang painting circle can be found in the wide objects and fields. The figures who continuously supported culture in local areas were rich and intelligent classes and had awareness to make a contribution to the growth of local culture and arts. Such points were deeply related to the fact that consumers for culture and arts in local artistic communities were limited in comparison with Seoul painting circle.
This thesis is meaningful since it examines the history of the supports for paintings and calligraphic works and the history of distribution, reveals the features of local artistic communities during the modern period, and based on that, allows to understand the situation of paintings and calligraphic works during the modern period from all aspects.
목차
Ⅰ. 서론
Ⅱ. 문예공간으로서 평양
Ⅲ. 근대기 평양지역 활동화가와 후원자
Ⅳ. 근대기 평양의 서화유통
Ⅴ. 결론
참고문헌
Abstract
참고문헌 (53)
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UCI(KEPA) : I410-ECN-0101-2016-600-001300426