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This study aims to explore Andy Warhol and his art from a standpoint of the biblical theology. Andy Warhol and his art have been considered as the ``mirror`` reflecting the condition and reality of the post-capitalism in which modern people manage to live, cultural logics are formed, and Christianity and the art relate to each other. The most outstanding feature of Warhol`s art is repetition. By repeating familiar images(e.g., soup cans, coca-cola bottles, celebrities, and so on), he tries to remove the boundary not only between the popular art and the fine art but also between the everyday life and the transcendent, so that his audience can believe that there is nothing behind the surface. Warhol`s art suggests that people like mass-produced things and want to be a repeating ``machine`` without the passion of dream bringing them beyond the everyday life. However, there is another aspect of Warhol and his art that has been overlooked; he was born a byzantine Catholic, who used to go to church for prayer every day and to make numerous religious paintings. His personal religious life and paintings including works on death and disaster indicate that the human cannot help searching for the transcendent meaning of life beyond what the surface represents. Warhol was a secret Christian in the modern art world, and he seemed to be only a simple believer unrelated to the Christian art world. But this study argues that both Christianity and Warhol`s art can enrich each other. On one hand, the messages of the Ecclesiastes and the Song of Solomon, that is, the vanity of the human life and the enjoyment in the vanity of life can be impressively encapsulated in Warhol`s art. On the other hand, the modern art that is eager to express the transcendent but does not know how may consult the message of Christianity concerning what lies beyond the surface, that is, the ``spiritual.``
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