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논문 기본 정보

자료유형
학술저널
저자정보
Jinil Yoo (Hankuk University of Foreign Studies)
저널정보
한국동서비교문학학회 동서비교문학저널 동서비교문학저널 제32호
발행연도
2015.4
수록면
395 - 418 (24page)

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초록· 키워드

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This study attempted to look into the identity of the Hungarian people using Hungarian oral literature. Unlike documentary literature, oral literature was created not by a single individual, but collectively by many Hungarians throughout a long period of time. So, it contains the spirits, thoughts and self-portraits of a nation. Many Hungarian oral tales from Asia continued to be passed down without great change for a time in Europe as well. According to the oral tales, the Hungarians introduced Christianity after settlement in Europe, but maintained their own faith from Asia and sought their identity in Asia. Accordingly, they also depict themselves as Asians. However, they wanted to be described as European Christians by others, since they accepted Christianity with a view to their survival rather than voluntarily. In particular, myths and legends reveal such great change between self-portrait and portrait. However, it is not easy to grasp the self-portrait and portrait of the Hungarian people in the folktales led by trifling fun. On the contrary, oral poetry demonstrates many Christian factors, as the Hungarians were influenced by Christian culture after their settlement in Europe. However, there are few indigenous folklore elements that originate in Asia. This indicates the possibility that the Hungarians regarded themselves Christian Europeans Therefore, the self-portraits and portraits of the Hungarian people are similar to each other in oral poetry, unlike oral tales.

목차

I. Introduction
II. Preceding Studies on the Identity of Hungarians
III. Self-Portraits and Portraits of Hungarians in Hungarian Oral Tales
IV. Self-Portraits and Portraits of Hungarians in Hungarian Oral Poetry
V. Conclusion
Works Cited
Abstract

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