지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper analyzes the relation of Japan"s identity construction and sports culture after the war. The rhetoric which treats especially a Korean pro wrestler Rikidozan"s body as representation of Japan was observed. This is performed in order to restore the masculinity lost by the America.
However, it is inconsistency to build an identity of Japan through a Korean wrestler"s body, and it is fabrication. The place where Japan can enjoy Rikidozan’s body was only a made-up stage called a ring. Japan considered that the game of Rikidozan is the representation of Japan-America waging war. It was considered that Japan was a victory of Japan about the victory of Rikidozan failing in accepting it. However, recovery and a victory of such the body are only the fabrication performed on the ring.
And the fact that Rikidozan was a Korean was a taboo while Rikidozan was valid. It is because a symbol of Japan will also collapse after the war if the fact is clarified. It was his postmortem that the life of Rikidozan began to become clear.
Rikidozan was called after the war for Japan"s identity construction, and actually produced the effect. But it was realized, after carrying a made-up genre called professional wrestling and sealing racial traits. Japan"s Rikidozan interpretation tells the identity construction process of the most difficult Japan after the war.
However, it is inconsistency to build an identity of Japan through a Korean wrestler"s body, and it is fabrication. The place where Japan can enjoy Rikidozan’s body was only a made-up stage called a ring. Japan considered that the game of Rikidozan is the representation of Japan-America waging war. It was considered that Japan was a victory of Japan about the victory of Rikidozan failing in accepting it. However, recovery and a victory of such the body are only the fabrication performed on the ring.
And the fact that Rikidozan was a Korean was a taboo while Rikidozan was valid. It is because a symbol of Japan will also collapse after the war if the fact is clarified. It was his postmortem that the life of Rikidozan began to become clear.
Rikidozan was called after the war for Japan"s identity construction, and actually produced the effect. But it was realized, after carrying a made-up genre called professional wrestling and sealing racial traits. Japan"s Rikidozan interpretation tells the identity construction process of the most difficult Japan after the war.
목차
1. 서론 - 전후일본과 스포츠
2. 전후일본사회와 재일조선인
3. 의도된 은폐
4. 역도산의 ‘일본인 되기’
5. ‘링’ 위의 ‘일본인’
6. 결론 - ‘국민적 영웅’을 넘어서
参考文献
Abstract
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UCI(KEPA) : I410-ECN-0101-2016-830-002000309