지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study focused on the Utagoe (Singing Chorus) Movement of the early days.
The Utagoe Movement, developed systematically as part of the cultural policy of the Japan Communist Party, is similar to the state-dominated ‘Nation People’s Song’ of the prewar era and ‘National Singing Chorus Movement’.
The Utagoe Movement was similar to the state-dominated people’s edification movement of the pre-war period. The latter was developed systematically: the repertory of songs was decided by the nation, education was fulfilled through songs, and the emphasis was on the nation people, through ‘chorus’ singing.
In its early days, the Utagoe Movement was not the people-oriented cultural movement it claims to be at present.
In the Utagoe Movement, the general public exists as the target to be educated and enlightened by intellectuals.
With the spread of this movement, the ‘Utagoe teahouse’ began to appear and gain popularity throughout the country. However, a fair number of songs sung in these teahouses were not in the ‘Seinenkashu (youth songbook)’, the collection of which was decided by the Utagoe Movement. The songs sung in the Utagoe teahouses were different from those in the repertory of the Utagoe Movement; EnKa popular at the time was sung instead. This state of affairs indicates the general public’s awareness of the Utagoe Movement. That is, the prevailing practices of the time showed the distance between the intellectuals of the Utagoe Movement and the general public.
Utagoe Movement can be seen as a political movement aimed at making people better(edification) after World War II.
The Utagoe Movement, developed systematically as part of the cultural policy of the Japan Communist Party, is similar to the state-dominated ‘Nation People’s Song’ of the prewar era and ‘National Singing Chorus Movement’.
The Utagoe Movement was similar to the state-dominated people’s edification movement of the pre-war period. The latter was developed systematically: the repertory of songs was decided by the nation, education was fulfilled through songs, and the emphasis was on the nation people, through ‘chorus’ singing.
In its early days, the Utagoe Movement was not the people-oriented cultural movement it claims to be at present.
In the Utagoe Movement, the general public exists as the target to be educated and enlightened by intellectuals.
With the spread of this movement, the ‘Utagoe teahouse’ began to appear and gain popularity throughout the country. However, a fair number of songs sung in these teahouses were not in the ‘Seinenkashu (youth songbook)’, the collection of which was decided by the Utagoe Movement. The songs sung in the Utagoe teahouses were different from those in the repertory of the Utagoe Movement; EnKa popular at the time was sung instead. This state of affairs indicates the general public’s awareness of the Utagoe Movement. That is, the prevailing practices of the time showed the distance between the intellectuals of the Utagoe Movement and the general public.
Utagoe Movement can be seen as a political movement aimed at making people better(edification) after World War II.
목차
1. 서론
2. 노랫소리운동의 성격
3. 노랫소리운동과 대중의 간극
4. 결론
参考文献
Abstract
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UCI(KEPA) : I410-ECN-0101-2016-830-002000061