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논문 기본 정보

자료유형
학술저널
저자정보
강동완 (동아대학교)
저널정보
동아시아국제정치학회 국제정치연구 국제정치연구 제18집 제2호
발행연도
2015.12
수록면
45 - 65 (21page)
DOI
10.15235/jir.2015.12.18.2.45

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초록· 키워드

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Formed by the direct order of Kim Jung Eun in July, 2012, the Moranbong Band has put on celebratory performances at the significant anniversaries and major events of North Korea without fail. The Band has sung songs fit for the nature of each event and announced new songs with political intentions at each performance. In the North Korean regime represented by "musical politics," the Band is another window to represent the era of Kim Jung Eun.
The performances of the Band serve as a yardstick to estimate the internal political situations of North Korea and the political discourse of North Korean regime at the time of performance. The "Commemorative Performance for the Participants of the Fifth Training Workers" Convention" clearly contained the political messages that the North Korean regime wanted to spread through songs. This study set out to analyze the "Commemorative Performance for the Participants of the Fifth Training Workers" Convention," which was the 21st performance of the Band since its pilot performance, and find the political intentions and implications of the North Korean regime in it.
The political situations and intentions of North Korean regime can be analyzed through many different factors. It is very significant, however, to figure out the political intentions through the Moranbong Band since the propaganda and agitation through performance are emphasized so much that they are expressed as "musical politics."

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ABSTRACT
Ⅰ. 서론
Ⅱ. 공연 개요 및 특징
Ⅲ. 신곡의 특성과 의미: 왜 ‘새 세기의 혁명가요’인가?
Ⅳ. 정치적 의도와 시사점: 결론을 대신하여
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