인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
크롬 서지관리 다운로드
지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
피인용 0
초록·키워드
This paper is an attempt to understand Vernon Lee as a fin-de-siècle intellectual who tried to reconcile Walter Pater’s aestheticism with John Ruskin’s mixed discourses of art criticism, scientific observation and ethics, as well as a writer of original supernatural stories. In A Phantom Lover , the unnamed narrator-painter tells the story of Alice and William Oke, haunted by the ghosts from the 17th century.
For Lee, ghost is a metaphor for the ‘Pasts’ which many Victorian intellectuals tried to evoke to cope with irrevocable past and unpredictable future. And, for Vernon Lee, aesthetic experience means the empathy, feeling into the alterity of the objects, which is the only way of enhancing life of the human species. Alice Oke sees ghost as a thing from the past to disturb her existence as a Tory landowner’s wife and even to transform it into something new which embodies her repressed desires. William Oke gets obsessed, and troubled with his wife’s scandalous engagement with the past, to bring his own destruction as well as his wife’s. The nameless painter tries to capture Alice’s ephemeral, exquisite beauty in vain, while maintaining his position as an artist as a critic, telling the story to an unnamed listener. Instead of capturing Alice’s beauty on his canvass, the narrator only completes his discourse on the failure of Alice’s portrait, revealing the clashes between the act of ‘seeing’ and ‘knowing’, between the object and its representation.
A Phantom Lover is one of the early attempts of Lee’s which shows her desire to get over the aestheticism of Walter Pater and to find a way to combine the ethical and aesthetic experiences. It is also one of the good examples of Lee’s efforts to construct her aesthetic theories in a more popular mode of narrative, a ghost story.
For Lee, ghost is a metaphor for the ‘Pasts’ which many Victorian intellectuals tried to evoke to cope with irrevocable past and unpredictable future. And, for Vernon Lee, aesthetic experience means the empathy, feeling into the alterity of the objects, which is the only way of enhancing life of the human species. Alice Oke sees ghost as a thing from the past to disturb her existence as a Tory landowner’s wife and even to transform it into something new which embodies her repressed desires. William Oke gets obsessed, and troubled with his wife’s scandalous engagement with the past, to bring his own destruction as well as his wife’s. The nameless painter tries to capture Alice’s ephemeral, exquisite beauty in vain, while maintaining his position as an artist as a critic, telling the story to an unnamed listener. Instead of capturing Alice’s beauty on his canvass, the narrator only completes his discourse on the failure of Alice’s portrait, revealing the clashes between the act of ‘seeing’ and ‘knowing’, between the object and its representation.
A Phantom Lover is one of the early attempts of Lee’s which shows her desire to get over the aestheticism of Walter Pater and to find a way to combine the ethical and aesthetic experiences. It is also one of the good examples of Lee’s efforts to construct her aesthetic theories in a more popular mode of narrative, a ghost story.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
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UCI(KEPA) : I410-ECN-0101-2016-840-002680407
