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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제48권
발행연도
1999.11
수록면
53 - 68 (16page)

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초록· 키워드

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The theatre costume in English Renaissance which is scarce in its historical materials can be inferred and imaginarily reconstructed from classifying it according to the types of theatre costumes and considering its specific form in that age. The history of fashion could be also approached in the light of theatre costumes, and it might be some help to the present theatre costume. Thus, the purpose of this thesis is for contributing to the study of theatre costume by inferring the English Renaissance theatre costume, from classifications and research of its pattern in detail. This thesis consists of the overview of the periodical background of English Renaissance, and then analysis of the stage surroundings at that time, and classification of the theater costume according to the types, and finally, inferences of the patterns or forms of the theatre costume. The theatre costume in English Renaissance can be divided into these groups: (1) for foreigners such as Roman, Turk, Spanish and Jews (2) for supernatural beings such as a nymph, god, goddess, ghosts, and witches (3) for professionals such as a clown, a clergyman, doctors and senators (4) for cast of animals such as a lion, a bear and pigs. In the Elizabethan period, theatre costumes were used together with Elizabethan costumes on the stage. Generally, the theatre costumes in the age were typically made of very expensive materials and gorgeously decorated with gold and silver embroidery, and spankled. It was for the purpose of giving spectacles to the audience and compensating for the poor stage settings.

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