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논문 기본 정보

자료유형
학술저널
저자정보
최정화 (경북대학교) 유영선 (경희대학교)
저널정보
한국복식학회 복식 복식 제54권 제3호
발행연도
2004.5
수록면
13 - 25 (13page)

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초록· 키워드

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The purpose of this study was to show the analysis system and the expression which is applied to fashion illustration by three major components in visual sign, metaphor and metonymy. The results of this study were as follows : Firstly. metaphor in qualisign of syntactics was revealed as a color such as realistic description, a pattern such as clothing of figure, etc. Metorlymy was revealed as a social and cultural background color, a concept pattern. etc. In sinsign of syntactics. metaphor was revealed as a human body, non-human body and metamorphosis human body and metonymy as a human body and non-human body. In legisign of syntactics. the metaphor by perspective was used for a fantasy of space. and the metonymy was revealed as a color perspective representation. etc. The degree of change of texture was revealed as a metaphor and metonymy of gradation. And conventional custom sign was almost revealed in metaphor. Secondly. semantics showed about fashion image as juxtaposition of two similar objects in metaphor and as real description and simplification in metonymy. Alternative fashion image in semantics was presented as a object related to fashion image. Conventional symbolic sign was presented as a role to clarify a fashion message in metaphor. Thirdly. the metaphorical and metonymical expression in pragmatics were usually Presented as drawing and painting.

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UCI(KEPA) : I410-ECN-0101-2017-381-000754962