메뉴 건너뛰기
소속 기관 / 학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
고객센터 ENG
주제분류

논문 기본 정보

저자정보
(성신여자대학교) (성신여자대학교)
저널정보
한복문화학회 한복문화 韓服文化 第19卷 第3號
오류 신고하기

피인용 0

검색

    초록·키워드

    The diversity of drapery acquires the various natural wrinkles according to methods, and it plays a role in expressing the physical beauty more beautiful. This causes the creation of big added value and economic demand in the part of fashion. In this study, it contrasts the work-oriented feature of Madeleine Vionnet and Charles James, fashion designers. The result for formativeness of drapery in modern fashion is as follows: First, the drapery costume has rhythmic property. The rhythmic property is the shape of curve or waving line made by drapery, and it provides the rhythmic property and directivity. The utilization of material with the liquidity plays a basic role in making rhythmic property, and color is magnified visually in accordance with the reflection of light, so the rhythmic property was remarkable. Second, the drapery costume has sensuality. It has the sensuality to show and highlight the sex appeal in osculation with human body and clothes by bias-cutting and features of thin material. Hence it became the way to express the beauty. Third, the drapery costume has elegance property. The curved-linear silhouette that runs along the human body flexibly, wavy chiffon material with swinging flexibility, swaying in overlapped several layers, and uni-color outfitting, flowing the wrinkle of drapery naturally in light led the feminine expression of elegance property. Like this, the drapery costume has various aesthetic, formative features through expressive elements such as various shape, material, and color, etc., and it is being re-interpreted and re-created in a new perspective.

    최근 본 자료 전체보기

      UCI(KEPA) : I410-ECN-0101-2017-300-001363493