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자료유형
학술저널
저자정보
서성은 (상명대학교)
저널정보
한국복식학회 복식 복식 제67권 제3호 (통권 제202호)
발행연도
2017.4
수록면
115 - 132 (18page)

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This study recognizes the importance of the social network platform as a new fashion media, and analyzes the significance of various digital fashion images, based on the "Aura’ theory of Walter Benjamin. The concept of “Disappearance of Artistic Aura” can be summarized into three discussions: 1) the change in the way of artistic perception, which is changes in value from worship to exhibition. 2) the change in the way of artistic acceptance, from personal to mass. 3) the emergence of new artistic concepts such as camera and film. By reviewing characteristics of the 21<SUP>st</SUP> digital replication era, the study tried to discover and evaluate the expanded significance of the ‘Aura’ represented on digital fashion images, which are infinitely generated, modified, reproduced, transmitted, and shared in social network environments. The ‘Burberry Instagram’ was chosen as the subject of the study. The study reviewed around 2,500 images, which were uploaded from February 2011 to July 2016, and selected 200 images deemed the most representative of Burberry, and categorized and analyzed by the extended concept of ‘Aura’. The study results as follows: First, the ‘Aura’ in digital fashion image appearing on social network platforms signifies the expansion of product value in fashion, and it also represents inherited traditions and modernization of images. Second, it also signifies the democratization and globalization of fashion through the open replication and sharing as well as the interaction of criticism and acceptance. Third, it signifies the personalized taste and fashion as everyday lifestyle, through personalized services, securing playful space, and real-time updates.

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ABSTRACT
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 디지털복제시대 패션이미지의 아우라
Ⅳ. 결론
References

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