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논문 기본 정보

자료유형
학술저널
저자정보
조사라 (전남대학교)
저널정보
한국색채학회 한국색채학회논문집 한국색채학회논문집 제31권 제3호(통권 제75호)
발행연도
2017.8
수록면
61 - 69 (9page)
DOI
10.17289/jkscs.31.3.201708.61

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The purpose of this study is to elucidate the correlation between color and psychology in Carl Gustav Jung"s analytical psychology perspective. The method of study limited the category to the time of Color-Field Painting and mural painting, the peak period of Mark Rothko painting, and derived the relationship between the color expressed by the artist and the psychological state at that time. Based on Jung"s analytical psychology, which analyzes unconsciousness in the aspect of projection of psychology to color, Jung"s analysis of human unconsciousness has found a connection between persona and shadows in bright period and dark period respectively. As a result, I could see that the unconscious psychology felt by the artist melted into color in the painting of the peak period of Mark Rothko. During the period of bright hue(1945-1957), which began to gain wealth and honor as a artist, the desire for ascension was marked by the orange, yellow and white colors. In the 1960s, social success gave Mark Rothko an uneasy feeling, which began manifesting unconsciously as a dark color. Dark Tones (1958-1970) The period wall paintings consisted of black, brown, and gray. The black color of depression, destruction, and apocalypse shows the limit of his feelings. In other words, it reaffirmed that color is a window that reflects the artist"s inner side in art. Jung has mainly applied formative arts in analytical psychology art therapy. In this study, it is meaningful that the research is extended by the relation of color and unconsciousness.

목차

Abstract
1. Introduction
2. Theoretical Consideration of Mark Rothko Color and Analysis Psychology
3. Analysis of Color by Jung“s Analysis Psychology
4. Conclusion and Proposal
References

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