지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2018.6
- 수록면
- 143 - 166 (24page)
- DOI
- 10.37967/emh.2018.06.140.143
이용수
초록· 키워드
오류제보하기
This study focuses on a feminine verse written by Mrs. Lee Ho of the Jinseong Lee clan that has not yet been studied in the academic world, despite the fact that its specific details were previously revealed through a collection of verses titled ‘Bugae-gasa’. In particular, by synthetically examining ‘Notanga’(semantically the verse of lamentation for aging), which is included in the collection, and its answer verse, ‘Notandabgok’(semantically, an answer song to a lamentation for aging) by Mrs. Choi of the Jeonju Choi clan, this study identified characteristics of the two writings as well as, different aspects and cultural meanings of feminine verses shared within a clan.
‘Notanga’, where the rhetoric of self-lamentation for aging is found, has a prominent feature, that she focused on her sick body and portrayed the symptoms and changes in various manners. Mrs. Choi, who read ‘Notanga’, noted that ‘the style is fascinating’. In particular, the lamentation of women in ‘Notanga’ is portrayed very differently compared to other writings dealing with the aging of women in the masculine viewpoint of the late Joseon period. This study found that in ‘Notanga’, an elderly woman focused on her own body and tried to portray the aspects of suffering and change in a realistic manner. It shows the subjective anguish and expressive power in a woman’s viewpoint, not from an external or other person’s viewpoint.
It seems that Mrs. Choi, who wrote ‘Notandapgok’, also expressed her desire to tell of a repressed life by a feminine verse after she read ‘Notanga’. At that time, she was enduring hard life circumstances as the eldest daughter-in-law of, a head family. When Mrs. Choi read ‘Notanga’ and found psychological support, her foundation for expression grew, and she learned to express the difficulty of ‘a woman’s married life’ through the words in a feminine verse. She revealed her desires and true voice by composing ‘Notandapgok’ with a more active mind. Paradoxically, the real aspect of suffering and lamentation portrayed by Mrs. Choi acted as a mechanism of consolation to Mrs. Lee Ho, who lamented aging.
In this way, it is necessary to pay attention to the examples of dialogue and communication on a family basis among the ways in which feminine verses were distributed in the Yeongnam area in the late Joseon period. A feminine verse is a communication method based on not only the self-esteem of amember of the prestigious family, but also provides a sense of solidarity withthose around them and their circumstances.
‘Notanga’, where the rhetoric of self-lamentation for aging is found, has a prominent feature, that she focused on her sick body and portrayed the symptoms and changes in various manners. Mrs. Choi, who read ‘Notanga’, noted that ‘the style is fascinating’. In particular, the lamentation of women in ‘Notanga’ is portrayed very differently compared to other writings dealing with the aging of women in the masculine viewpoint of the late Joseon period. This study found that in ‘Notanga’, an elderly woman focused on her own body and tried to portray the aspects of suffering and change in a realistic manner. It shows the subjective anguish and expressive power in a woman’s viewpoint, not from an external or other person’s viewpoint.
It seems that Mrs. Choi, who wrote ‘Notandapgok’, also expressed her desire to tell of a repressed life by a feminine verse after she read ‘Notanga’. At that time, she was enduring hard life circumstances as the eldest daughter-in-law of, a head family. When Mrs. Choi read ‘Notanga’ and found psychological support, her foundation for expression grew, and she learned to express the difficulty of ‘a woman’s married life’ through the words in a feminine verse. She revealed her desires and true voice by composing ‘Notandapgok’ with a more active mind. Paradoxically, the real aspect of suffering and lamentation portrayed by Mrs. Choi acted as a mechanism of consolation to Mrs. Lee Ho, who lamented aging.
In this way, it is necessary to pay attention to the examples of dialogue and communication on a family basis among the ways in which feminine verses were distributed in the Yeongnam area in the late Joseon period. A feminine verse is a communication method based on not only the self-esteem of amember of the prestigious family, but also provides a sense of solidarity withthose around them and their circumstances.
목차
1. 서론
2. 늙음에 대한 자탄(自歎)의 수사와 그 의미: <노탄가>
3. 늙음을 탄식하는 이를 향한 공감과 위로 그리고 자기 표현: <노탄답곡>
4. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2018-810-003164924