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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2018.9
- 수록면
- 291 - 319 (29page)
- DOI
- 10.37967/emh.2018.09.141.291
이용수
초록· 키워드
오류제보하기
Seo Ki－won’s 『The Revolution』 is a historical novel depicting the Donghak Revolution. As one of the post－war writers, Seo Ki－won released works expressing his post－war consciousness even after the 1960’s. This work was published in the 1960’s which was the period of social revolution that led to the events such as 4·19 Revolution, 5·16 Military Coup, and the Movement against the Korea－Japan Normalization Treaty. This novel reflects the writer’s post－war consciousness as well as the circumstances of the 1960’s.
Although this novel follows the process of development of the Donghak Revolution, it does not reproduce the Donghak Revolution historically. The events are not developed according to historical necessity, and particularly the process of its main characters becoming involved in the Donghak Revolution is rather accidental. What this novel describes more importantly is the main characters’ inner status shown in the process of being involved in the revolution.
The work depicts ‘rebellion’ that is aroused within the main characters’ inner side. The main character named Heon－ju, a child from yangban family, realizes the fallacy of hierarchical order they all belong to and rebels against it. This rebellion forms a driving force that allows him to be engaged in the revolution. This rebellion, however, fails to lead to solidarity with others and ends up becoming a form of totalitarian violence. In the end of this work, Heon－ju attempts to kill Jeon Bong－jun, and it shows his refusal against totalitarian violence.
Behind this rebellion, there is ethical emotion, so－called Ressentiment. Ressentiment involves a grudge or vengeance and expresses chronic lethargy, but it also forms potential power for revolution. Ressentiment found in The Revolution seems to have been formed through historical experiences leading from frustration with the Donghak Revolution up to the 1960’s revolution. In the end of The Revolution, the direction of Ressentiment is changed with ‘to be a scapegoat’ by Heon－ju. The self－extinction through ‘to be a scapegoat’ is to pursue self－affirmation paradoxically. With this process, ‘individuals’ are newly found in the place where the revolution has failed.
Although this novel follows the process of development of the Donghak Revolution, it does not reproduce the Donghak Revolution historically. The events are not developed according to historical necessity, and particularly the process of its main characters becoming involved in the Donghak Revolution is rather accidental. What this novel describes more importantly is the main characters’ inner status shown in the process of being involved in the revolution.
The work depicts ‘rebellion’ that is aroused within the main characters’ inner side. The main character named Heon－ju, a child from yangban family, realizes the fallacy of hierarchical order they all belong to and rebels against it. This rebellion forms a driving force that allows him to be engaged in the revolution. This rebellion, however, fails to lead to solidarity with others and ends up becoming a form of totalitarian violence. In the end of this work, Heon－ju attempts to kill Jeon Bong－jun, and it shows his refusal against totalitarian violence.
Behind this rebellion, there is ethical emotion, so－called Ressentiment. Ressentiment involves a grudge or vengeance and expresses chronic lethargy, but it also forms potential power for revolution. Ressentiment found in The Revolution seems to have been formed through historical experiences leading from frustration with the Donghak Revolution up to the 1960’s revolution. In the end of The Revolution, the direction of Ressentiment is changed with ‘to be a scapegoat’ by Heon－ju. The self－extinction through ‘to be a scapegoat’ is to pursue self－affirmation paradoxically. With this process, ‘individuals’ are newly found in the place where the revolution has failed.
목차
1. 서론
2. 『혁명』이 놓인 자리
3. 혁명과 ‘반항’
4. 희생양 되기와 르상티망의 역설
5. 결론
참고문헌
Abstract
참고문헌 (48)
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