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복합학
DBpia AI
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Citeasy
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지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
피인용 0
초록·키워드
This article reexamines the concept of narrative unreliability through the narration of Robert Coover’s first-person narrator in “The Dead Queen” and looks into the implication of narrative unreliability in the context of postmodern fairytale retellings. The article begins with the limitation of the traditional/Boothian approach to unreliable narration, which focuses on the ironic distance between the narrator and the implied author based on the “norms and values” presented through the textual signals. Such a text-centered approach is inappropriate in Coover’s “The Dead Queen,” for it overlooks the contextual fact that “The Dead Queen” is a postmodern retelling of the nineteenth-century tale. Siding with Bruno Zerwick’s conception of narrative unreliability as a culturally and historically etermined phenomenon, this article then goes beyond the textual boundary and considers the contextual factors in determining narrative unreliability. It specifically looks into the moments in “The Dead Queen” in which the prince, the narrator, experiences the clash of the two historically distinct values and how he struggles to deal with the awkward coexistence of the two. In the world of retellings where the two different historical worlds are meshed together, the norms and values become problematized; hence, the task to figure out what “really happened” and the attempt to address the narrator’s narrative unreliability becomes meaningless. Through a detailed analysis of the narrator’s conflicting moments, this article calls for a new understanding of narrative unreliability in the postmodern fairytale retellings.
본문·목차
인공지능 문자 인식 모델을 통해 추출된 텍스트로, 일부 오타나 오류가 포함될 수 있으나 지속적으로 개선 중입니다.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
오류를 발견하셨다면 해당 부분을 드래그한 후 ' 를 통해 신고해주세요.
최근 본 자료 전체보기
UCI(KEPA) : I410-ECN-0101-2019-740-000510636
