지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한국미술연구소 미술사논단 美術史論壇 제48호
- 발행연도
- 2019.6
- 수록면
- 179 - 215 (37page)
- DOI
- 10.14380/AHF.2019.48.179
이용수
초록· 키워드
오류제보하기
Water towers at railway stations were facilities for supplying water to steam locomotives. In Korea, most of these water towers were built together with the railways constructed during the Japanese colonial period. The present study addresses railway station water towers in Korea from the perspective of visual culture. It examines 21 water towers still in existence, and also utilizes available data on removed water towers for comparison purposes. The study first analyzes the current status, style, and iconography of water towers, and then suggests their value and latency as memory-filled places by revealing their monumentality.
The shape of these water towers is associated with masculine iconography such as traditional monuments and factories built in the industrial age. As cultural heritage, water towers are regarded as historical monuments of Korea. More specifically, water towers are symbolic monuments of modernization as represented by mechanized civilization. They are also monuments of the colonial period that elicit the memory and history of the Japanese occupation of Korea, and antiwar monuments marked by the traces of the Korean War.
Today, water towers sometimes become post-industrial cultural spaces, serving as places for recreation or entertainment. Sometimes they are recycled as local attractions, thus becoming another type of monument that symbolizes and promotes their localities. The people visiting such localities combine the fixed memories of the past with their present experiences to form cultural memories of this age.
Dilapidated and having lost their function, these water towers give testimony to extinction, loss, and absence. In this respect, they are also anti-monuments signifying negativity. However, if falling into ruin is regarded not as the final stage of things, but as a stage in their de-functionalization, then the water towers acquire significance as places filled with latent memories. By activating these latent memories through constant encounter with the water towers, traumas can be exposed and healed. In addition, artistic imagination or personal approaches can be elicited so as to salvage memories from distortion and repression and store new memories. Such practices will accord a meaningful part to water towers that no longer have a “part” in our society.
The shape of these water towers is associated with masculine iconography such as traditional monuments and factories built in the industrial age. As cultural heritage, water towers are regarded as historical monuments of Korea. More specifically, water towers are symbolic monuments of modernization as represented by mechanized civilization. They are also monuments of the colonial period that elicit the memory and history of the Japanese occupation of Korea, and antiwar monuments marked by the traces of the Korean War.
Today, water towers sometimes become post-industrial cultural spaces, serving as places for recreation or entertainment. Sometimes they are recycled as local attractions, thus becoming another type of monument that symbolizes and promotes their localities. The people visiting such localities combine the fixed memories of the past with their present experiences to form cultural memories of this age.
Dilapidated and having lost their function, these water towers give testimony to extinction, loss, and absence. In this respect, they are also anti-monuments signifying negativity. However, if falling into ruin is regarded not as the final stage of things, but as a stage in their de-functionalization, then the water towers acquire significance as places filled with latent memories. By activating these latent memories through constant encounter with the water towers, traumas can be exposed and healed. In addition, artistic imagination or personal approaches can be elicited so as to salvage memories from distortion and repression and store new memories. Such practices will accord a meaningful part to water towers that no longer have a “part” in our society.
목차
Ⅰ. 머리말
Ⅱ. 철도역 급수탑의 현황
Ⅲ. 급수탑의 양식
Ⅳ. 급수탑의 기념비성
Ⅴ. 맺음말
참고문헌
ABSTRACT
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