지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Literary therapy should pay attention to the ethics of mourning not to be biased to the prescription. This article reviewed Shin Gyeong-suk’s early short stories such as ‘Remote Room’(｢외딴 방｣), ‘On the Far and Endless Road’(｢멀리, 끝없는 길 위｣) and ‘The Potato Eaters’(｢감자 먹는 사람들｣) to suggest the ethics of mourning. According Freud, mourning is the process to acknowledge that the object does not exist anymore and return to the reality. On the other hand, patients suffering from melancholia identify the object lost and self, losing self‐esteem. Freud considered mourning as ‘Killing the object twice.’ However, mourning in literary works is normal and the dichotomy that mourning is normal but melancholia is abnormal should not be made. The dilemma of mourning that it should be forgotten but cannot be done is a characteristic of aesthetical mourning in literary works.
Three short stories of Shin Gyeong-suk show various aspects of mourning from the evasion of mourning to over‐mourning. The writer paid special attention to the work which constantly expressed her doubt if she could deliver the truth of her dead friend in full. Especially, in ‘On the Far and Endless Road’ she hesitated overcoming the sorrow completely and refused the assimilation of the other person to her own memory. It is because it will suppress ‘Ganzanderheit’ of the other person. The writer considered it as a characteristic of ‘Ethical Mourning.’
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